lundi 31 octobre 2016

Collusion and collision during the Emergency

The Emergency, imposed by prime minister Indira Gandhi between June 25, 1975 and January 18, 1977, remains one of the darkest periods of Indian politics

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THE EMERGENCY An Unpopular History Parsa Venkateshwar Rao Jr Har-Anand 180 pages; Rs 399 The Emergency, imposed by prime minister Indira Gandhi between June 25, 1975 and January 18, 1977, remains one of the darkest periods of Indian politics. How harmful was this phase to the cause of Indian democracy? Parsa Venkateshwar Rao offers some answers in 10 well-written chapters covering the parliamentary debates and Supreme Court proceedings over the nature of fundamental rights. He jumps into the narrative with the historic judgement of June 12, 1975 when Justice ...

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Collusion and collision during the Emergency

'ADHM', 'Shivaay': No fireworks at box office on Diwali

The movies did not register a hike in their collections, but trade experts believe the coming days look bright

IANS  |  Mumbai 

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The festivities seem to have come in the way of sparkling box office numbers for Karan Johars "Ae Dil Hai Mushkil" and actor-filmmaker Ajay Devgns "Shivaay". The movies did not register a hike in their collections, but trade experts believe the coming days look bright.

Both the films released on October 28 — two days before Diwali.


After collecting Rs 13.30 crore and Rs 13.10 crore on Friday and Saturday, "Ae Dil Hai Mushkil", which released in around 3000 screens in India, only managed to mint Rs 9.20 crore on Sunday, thus taking its cumulative total to Rs 35.60 crore, read a statement from the makers.


However, the film — which features Ranbir Kapoor, Anushka Sharma, and Fawad Khan — performed well overseas by collecting $6.15 million (Rs 41.05 crore).

According to its makers, the film has amassed the second highest international opening weekend for a Bollywood film in 2016 and is the highest opening weekend for a project.

In the US, "Ae Dil Hai Mushkil" collected $2.1 million, while in Britain and Australia, the film raked in $752,000 and $307,045 respectively.


"Shivaay", on the other hand, collected Rs 8.26 crore on Sunday. With collections of Rs 10.24 crore and Rs 10.06 crore on Friday and Saturday, the film has now made a total of Rs 28.56 crore, says trade analyst Taran Adarsh.


He tweeted: " puja and festivities made a dent in the business of 'Ae Dil Hai Mushkil' and 'Shivaay' on Sunday. Business should witness an upward trend on Monday and Tuesday."

Delhi-based distributor Joginder Mahajan told IANS: "People are more inclined towards festivities during Diwali. So this much collection is enough for both the films. The crucial days for 'Ae Dil Hai Mushkil' and 'Shivaay' are Monday and Tuesday."

'ADHM', 'Shivaay': No fireworks at box office on Diwali

The movies did not register a hike in their collections, but trade experts believe the coming days look bright

The movies did not register a hike in their collections, but trade experts believe the coming days look bright
The festivities seem to have come in the way of sparkling box office numbers for Karan Johars "Ae Dil Hai Mushkil" and actor-filmmaker Ajay Devgns "Shivaay". The movies did not register a hike in their collections, but trade experts believe the coming days look bright.

Both the films released on October 28 — two days before Diwali.


After collecting Rs 13.30 crore and Rs 13.10 crore on Friday and Saturday, "Ae Dil Hai Mushkil", which released in around 3000 screens in India, only managed to mint Rs 9.20 crore on Sunday, thus taking its cumulative total to Rs 35.60 crore, read a statement from the makers.


However, the film — which features Ranbir Kapoor, Anushka Sharma, and Fawad Khan — performed well overseas by collecting $6.15 million (Rs 41.05 crore).

According to its makers, the film has amassed the second highest international opening weekend for a Bollywood film in 2016 and is the highest opening weekend for a project.

In the US, "Ae Dil Hai Mushkil" collected $2.1 million, while in Britain and Australia, the film raked in $752,000 and $307,045 respectively.


"Shivaay", on the other hand, collected Rs 8.26 crore on Sunday. With collections of Rs 10.24 crore and Rs 10.06 crore on Friday and Saturday, the film has now made a total of Rs 28.56 crore, says trade analyst Taran Adarsh.


He tweeted: " puja and festivities made a dent in the business of 'Ae Dil Hai Mushkil' and 'Shivaay' on Sunday. Business should witness an upward trend on Monday and Tuesday."

Delhi-based distributor Joginder Mahajan told IANS: "People are more inclined towards festivities during Diwali. So this much collection is enough for both the films. The crucial days for 'Ae Dil Hai Mushkil' and 'Shivaay' are Monday and Tuesday."

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'ADHM', 'Shivaay': No fireworks at box office on Diwali

Hurrah! 'ADHM' bags ninth highest opening overseas

This film is the only non-Khan film to be among the top ten

ANI  |  New Delhi 

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is on cloud 9 as his multi-starrer project 'Ae Dil Hai Mushkil' after drawing a pleasant response in the opening weekend in looks all set to become the ninth highest opening of all times offshore.

This film is the only non-Khan film to be among the top ten.

The romantic-drama has managed to earn approximately 62,50,000 dollars in the international market, reports India.

The film is sailing smooth in the domestic market as well, as it has collected Rs 34 crore in the first three days of its release.

Devgn starrer 'Shivaay', on the other hand, is having an average run at the box office. The domestic collection of the film over the first-weekend is Rs 28.56 crore.

Hurrah! 'ADHM' bags ninth highest opening overseas

This film is the only non-Khan film to be among the top ten

This film is the only non-Khan film to be among the top ten

is on cloud 9 as his multi-starrer project 'Ae Dil Hai Mushkil' after drawing a pleasant response in the opening weekend in looks all set to become the ninth highest opening of all times offshore.

This film is the only non-Khan film to be among the top ten.

The romantic-drama has managed to earn approximately 62,50,000 dollars in the international market, reports India.

The film is sailing smooth in the domestic market as well, as it has collected Rs 34 crore in the first three days of its release.

Devgn starrer 'Shivaay', on the other hand, is having an average run at the box office. The domestic collection of the film over the first-weekend is Rs 28.56 crore.

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Hurrah! 'ADHM' bags ninth highest opening overseas

Would you drive around with an advert like this on your car? This driver says it covers his running costs

A FATHER-of-three says driving around with pink flowers on his car is putting him in the black. Would you drive around with an advert like this on your car? This driver says it covers his running costs

dimanche 30 octobre 2016

M S Dhoni most valued athlete among Indians; Federer globally: Forbes Fab 40

Team India's limited-overs cricket captain slips in brand value and ranking but remains the only Indian on the list

BS Reporter  |  New Delhi 

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Team India’s limited-overs cricket skipper Mahendra Singh Dhoni remains the most valued Indian athlete in 2016, despite a drop in his brand value when compared with last year, shows the Forbes Fab 40 list released recently.
 
The annual Forbes Fab 40 list, which estimates the brand value of top sports labels, athletes, teams and events, reveals that Dhoni’s brand value reduced from $21 million in 2015 to $11 million this year, and his rank slipped from fifth to 10th during the same period. However, he remains the only Indian among the top 10 athletes globally.


 
Swiss tennis legend Roger Federer toppled golf greatTiger Woods as the most valued athlete globally. With brand value of $36 million, Federer gained two notches from third last year, while Woods dropped four spots to fifth on the latest edition of the list. Among other top athletes on the list is Argentine football star Lionel Messi, ranked eighth. He was not among the top 10 last year.
 
In the sports business category, Nike, ESPN and Adidas continued to hold the top three spots, even as the individual brand values of Nike and Adidas — $27 billion and $7 billion, respectively — improved from last year, and ESPN’s declined marginally, from $17 billion to $16.5 billion.
 
There was little change seen in the sports event category. While the American Super Bowl football tournament topped with a value of $630 million, Summer Olympic, Winter Olympic and FIFA World Cup were the next three on the list, with brand values of $366 million, $285 million and $229 million, respectively. Among sports teams, American baseball team New York Yankees was the most valued, at $660 million.
 
The Fab 40 list does not measure how much a team, business or individual actually earns. It reflects the notional worth of each brand’s name. The list is compiled using different methodologies for defining the brand value of different categories. 
 
First, for the sports business category, the brand value is calculated by taking the difference between the estimated enterprise value of the business brand and the enterprise value of other similar businesses. 
 
Second, for sports team, the brand value is calculated by taking the amount of the team’s value that can be attributable to local revenue streams like sponsorship, tickets and television, above and beyond what the typical team in the same sport in a similar market generates.
 
Third, for athletes, brand values are calculated by taking the amount by which the endorsement income exceeds the average endorsement income earned by the top 10 earning athletes in the same sport during the past year.
 
And, for sports events, brand value is calculated by taking the equal average revenue per event-day from broadcasting, sponsorships, licensing and tickets.
M S Dhoni most valued athlete among Indians; Federer globally: Forbes Fab 40

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samedi 29 octobre 2016

Box office opens festive weekend at Rs 21 cr

While Ae Dil Hai Mushkil performed as expected with Rs 13.3 crore in opening collection, Shivaay fell short of predictions at Rs 9 crore

Urvi Malvania  |  Mumbai 

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Starting one of the most important weekends of the year at the box office, the two Diwali releases from Bollywood – Ae Dil Hai Mushkil (ADHM) and have raked in a combined collection of Rs 21.3 crore. While performed in line with expectations collecting Rs 13.3 crore (projection was Rs 13 to 15 crore), Shivaay fell tad short of the prediction at Rs 9 crore (projection was Rs 10-12 crore).

is a love story directed by and stars Ranbir Kapoor, Aishwariya Rai Bachchan and Anushka Sharma in lead roles with Fawad Khan in a special performance. Shivaay on the other hand is in the action thriller genre with Ajay Devgn as the director and lead actor.

Both the films are made at around Rs 100 crore and were released in similar number of screens – between 2800 and 3000. However, while had a strong presence in the single screens, was clearly skewed towards multiplexes. In terms of collections too, the directed film has done very well with multiplex properties, while has performed better in single screens. In terms of the division of shows at screens, has 60 per cent of the share, mainly due to its shorter length as compared to Shivaay.

has been co-produced by Dharma Productions and Fox Star Studios while has been co-produced by Devgn, and Jayantilal Gada (Pen, a production house).

Apoorva Mehta, CEO, Dharma Productions says, "We are thrilled and humbled with the love people are showering on Ae Dil Hai Mushkil. It is a perfect Diwali entertainer and it has started on a very good note. The film has emerged as the biggest opener of which gives us twice the reason to celebrate!"

Vijay Singh, CEO, Fox Star Studios, says, "We are overwhelmed and humbled with the response. We congratulate Karan Johar, a master of making iconic romantic movies, for his biggest opening with Ae Dil Hai Mushkil. The film is about celebrating love this Diwali and it is receiving outstanding love from audiences."


While neither film has got stellar reviews from critics, has more positive reviews and word of mouth and is expected to continue performing in line with predictions, finishing the weekend (Friday-Sunday) with Rs 40-45 crore while is expected to rake in Rs 25-30 crore, if the occupancy does not fall further.

Monday however is expected to be the biggest day for both films. With Diwali falling on Sunday, the occupancy at the movie halls has been hindered as people indulge in festive socialising. Monday is a holiday at most offices and schools and colleges and analysts expect the highest single day collections for both the films to come on the day. 

Box office opens festive weekend at Rs 21 cr

While Ae Dil Hai Mushkil performed as expected with Rs 13.3 crore in opening collection, Shivaay fell short of predictions at Rs 9 crore

While Ae Dil Hai Mushkil performed as expected with Rs 13.3 crore in opening collection, Shivaay fell short of predictions at Rs 9 crore
Starting one of the most important weekends of the year at the box office, the two Diwali releases from Bollywood – Ae Dil Hai Mushkil (ADHM) and have raked in a combined collection of Rs 21.3 crore. While performed in line with expectations collecting Rs 13.3 crore (projection was Rs 13 to 15 crore), Shivaay fell tad short of the prediction at Rs 9 crore (projection was Rs 10-12 crore).

is a love story directed by and stars Ranbir Kapoor, Aishwariya Rai Bachchan and Anushka Sharma in lead roles with Fawad Khan in a special performance. Shivaay on the other hand is in the action thriller genre with Ajay Devgn as the director and lead actor.

Both the films are made at around Rs 100 crore and were released in similar number of screens – between 2800 and 3000. However, while had a strong presence in the single screens, was clearly skewed towards multiplexes. In terms of collections too, the directed film has done very well with multiplex properties, while has performed better in single screens. In terms of the division of shows at screens, has 60 per cent of the share, mainly due to its shorter length as compared to Shivaay.

has been co-produced by Dharma Productions and Fox Star Studios while has been co-produced by Devgn, and Jayantilal Gada (Pen, a production house).

Apoorva Mehta, CEO, Dharma Productions says, "We are thrilled and humbled with the love people are showering on Ae Dil Hai Mushkil. It is a perfect Diwali entertainer and it has started on a very good note. The film has emerged as the biggest opener of which gives us twice the reason to celebrate!"

Vijay Singh, CEO, Fox Star Studios, says, "We are overwhelmed and humbled with the response. We congratulate Karan Johar, a master of making iconic romantic movies, for his biggest opening with Ae Dil Hai Mushkil. The film is about celebrating love this Diwali and it is receiving outstanding love from audiences."


While neither film has got stellar reviews from critics, has more positive reviews and word of mouth and is expected to continue performing in line with predictions, finishing the weekend (Friday-Sunday) with Rs 40-45 crore while is expected to rake in Rs 25-30 crore, if the occupancy does not fall further.

Monday however is expected to be the biggest day for both films. With Diwali falling on Sunday, the occupancy at the movie halls has been hindered as people indulge in festive socialising. Monday is a holiday at most offices and schools and colleges and analysts expect the highest single day collections for both the films to come on the day. 


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Box office opens festive weekend at Rs 21 cr

Beautifying Bhendi Bazaar

Work begins to redevelop Mumbai's Bhendi Bazaar, a project that could set the tone for redesigning other such clusters in the country

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Perhaps the only object of beauty in the 16.6 acres of Mumbai's Bhendi Bazaar is the Raudat Tahera, a memorial mausoleum for the spiritual leaders of the Dawoodi Bohra community, with the full inscription of the The Quran in gold and precious stones. Made out of marble, the structure attracts community members from around the world to pay respects to their spiritual leaders. The area - named during the British rule as "Behind the Bazaar", where the "bazaar" refers to the Crawford Market - has seen little change since its first settlers, mostly migrant workers who ...

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Largest passenger ship to dock in India will take 1,900 tourists to Singapore

The 18-deck cruise ship Genting Dream is 335 metres long, 40 metres wide, with a top speed of over 23 knots

BS Web Team  |  Mumbai 

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Equipped to accommodate 3,400 guests, attended by a crew of 2,000 -- the highest crew-to-guest ratio in Asia-based -- the arrived at for the first time on its relocation voyage on Saturday.

The largest passenger ship ever to be anchored at Mumbai Port, the ship is geared up to ferry its first set of 1,900 passengers from India on a voyage to Singapore via Colombo. Incidentally, the Trust has a dedicated berth for cruise tourism.  

Maharashtra Chief Minister and Union Minister for Shipping and Road Transportm Nitin Gadkari, were among the dignitaries who attended the inaugural cruise ceremony on Saturday.

Speaking on the occasion, Gadkari said, "We have taken a decision to have passenger terminals at all major ports to cater to cruise tourists. There are over 200 private and minor ports in the country and I would also request them to have such facilities."

He added that the government is keen to promote cruise tourism, and is investing over Rs 200 crore to build a modern international cruise terminal in Mumbai.

A senior official of clained that the company has been serving the luxury cruise segment for the past decade, and saw a 36 per cent rise in Indian tourists in fiscal 2015-16, to over 125,000 passengers.

The 18-deck luxury vessel is 335 metres long, almost 40 metres wide, and has a top speed of over 23 knots. According to a press release issued by Dream Cruises, which owns Genting Dreams, over 70 per cent of the accommodation on the vessel consists of staterooms with private balconies and over 100 connecting rooms catering to extended families and groups.

The ship also has what it calls a 'Dream Palace' -- a ship within a ship -- with suites featuring European-style butler service. She comes with as many as 35 restaurants and bars offering a spectrum of cuisines, swimming pools, six water slides, rock climbing and a mini gold course.

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vendredi 28 octobre 2016

Splurge season

A buoyant mood and tempting discounts, both online and offline, are fuelling a shopping frenzy this Diwali

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Rajiv Suri refuses to call himself much of a shopper. One quick glance at him, however, and you would be forgiven for thinking otherwise - the fact that the man likes his clothes is instantly discernible. On a morning visit to Delhi's Select City Walk mall in Saket, Suri is sprucely dressed: immaculately-fitted beige chinos coupled with a navy blue polo T-shirt tidily tucked in, complemented by brown moccasins. The nifty watch embellishing his wrist can be spotted from some distance away. His agenda today, however, is somewhat different. Instead of depleting his wallet on the new ...

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Splurge season

Sowing the right seeds

A group of urban gardeners is raising awareness about native seeds and how they help the environment

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At a time when small farmers across India are quitting agriculture in favour of more lucrative professions - even as the world worries about food security and long-term effects of chemical-dependent crops - a quiet movement is working its way up from the grassroots. Vividhara, a Delhi-based group of urban gardeners, has been slowly sensitising people about the pleasure of growing one's own organic food, even as it markets the organic produce of small farmers across the country. Vividhara promotes native (desi) seeds collected by small-scale organic farmers mostly in Uttarakhand amongst ...

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Watch out for

Mahindra launched its electric car, the e20, in a new avatar - the e20Plus

Jisha P 

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Mahindra e20Plus Mahindra launched its electric car, the e20, in a new avatar - the e20Plus. The car now comes with four doors and in four variants. The top variant, P8, costs Rs 8.46 lakh. On a single charging, the car can travel 140 km. There is also provision for fast charging, in around 90 minutes. Tata Hexa Tata Motors is banking heavily on its new SUV, the Tata Hexa. Expected to cost upwards of Rs 13 lakh, it will be launched early 2017. It is powered by a 2179cc, 4-cylinder, turbocharged, Varicor 400 engine and will have an option for a manual or automatic ...

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Shivaay: All scenes, no substance

A flimsy script fails to make up for the beautiful locales in this one-man show

Shakya Mitra 

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A Diwali release has, in the past, proven to be lucky for Ajay Devgn. And he would hope that the ambitious Shivaay too would carry that luck. Right in the beginning of the film, we are introduced to Shivaay (Devgn), an expert mountaineer. During one of his treks to a height of 20,000 feet, he accompanies a group of students, which includes Olga (Erika Kaar), a Bulgarian who had studied at Delhi University and speaks Hindi reasonably well. No sooner do they reach the peak than an avalanche hits them. While the rest in the group manage to save one another, Shivaay and Olga take refuge in a ...

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Into the Blue

Behind the history-making exploits of Bengaluru FC is a tight-knit unit and great professionalism

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Raucous cries rang out around the Sree Kanteerava Stadium in Bengaluru. The stadium was only half full - which was such a pity - but those who had made their way to the ground fervidly egged on the home side. The football on show was sometimes genuinely thrilling, other times erratic, but not once did it slump to the depths of unbearable vapidity. This was one of those rare occasions that comes about only once every few years for Indian football - one where you unabashedly feel proud of a domestic team playing a sport that always promises so much but errs routinely when it comes to ...

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Fragile splendour

A book of photographs reflects the magnificence of the Nepal Himalayas but also highlights its ecological vulnerabilities

Shyam Saran 

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NEPAL HIMALAYA: A JOURNEY THROUGH TIME Publisher: Vajra Books Photographs by: Sujoy Das Text by: Lisa Choegyal Pages: 299 Price: Rs 1,935 There is a certain magical quality to black and white photographs that often goes missing in colour images. This is particularly true of mountain landscapes. Black and white photos seem to accentuate the contours and highlight contrasts that only an artist's brush delivers more skillfully than a photographer's craft. And yet the incredible photographs of the Nepal Himalayas, soaring over its quaint villages and shaping the lives of its ...

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Ruling the power kitchens

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What’s it like to cook a state dinner for 1,000 people? Which comfort food does the queen of England turn to after a long day? The answers to these questions lie with members of Le Club des Chefs des Chefs, or CCC, an elite gastronomic society of chefs who whip up banquets for heads of states. Avantika Bhuyan catches up with them on their visit to India Christian Garcia Chef to Prince Albert II of Monaco and CCC president It has been 30 years since Garcia started cooking in the royal kitchens of the Genoese Palace and he still remembers the awe he felt on meeting Prince ...

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Mitali Saran: The unicorns are dying

The earth is disappointing. It's time to move to outer space

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Mitali Saran My eyes generally ricochet right off any business news, due to a condition in my frontal cortex known as liberalartsi majoritis. Business vocabulary puts me off. Over the years people have repeatedly explained terms like ‘futures’ or ‘shorting the market’ or ‘debentures’ to me; every time, I have one brief moment of comprehension before the concept sinks back into a swamp of shipwrecked words barnacled with numbers. I subscribe to a business newspaper at home only for the crossword. That I write in a business paper only proves the utter absurdity of ...

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jeudi 27 octobre 2016

Lost opportunities in aid diplomacy

With the Western world rethinking the role of aid, the leading Southern nations need to ensure they work the aid money judiciously

Subhomoy Bhattacharjee 

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INDIA’S APPROACH TO DEVELOPMENT COOPERATION Sachin Chaturvedi & Anthea  Mulakala (Eds) Routledge 190 pages; Rs 695 Aid to nations has been a slugfest to buy economic supremacy. This was the case through the Cold War years and it remains true in the 21st century too. As the BRICS countries begin constructing the elements of a new economic architecture to supplant the roles played by the European and American power houses, the operation of aid diplomacy has become a big part of the discussions. Would it, for instance, just be a case of replacing one set of ...

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mercredi 26 octobre 2016

Weekend may pull in Rs 130 cr at box office

Shivaay and Ae Dil Hai Mushkil hit screens after a month of slow business

Urvi Malvania  |  Mumbai 

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The box office could come in for a busy weekend starting Friday as Karan Johar’s (ADHM) and Ajay Devgn’s hit the screens.
 
Experts peg the combined box office revenue during the four-day weekend, Friday to Monday, at Rs 120-130 crore, with Johar’s love triangle accounting for a bigger share. Both films are releasing on 3,000 screens in India.


 
Opening-day collections for are expected to be Rs 13-15 crore (after tax), and could be more depending on feedback after morning and afternoon shows. First-day revenue for action thriller is expected to be Rs 10-11 crore, and again could be more depending on feedback.
 
Both films were made at a budget of Rs 100-odd crore each. Sources reveal has recovered Rs 60 crore through satellite, digital streaming, and music rights. While exact revenue from these streams for is not known, it is expected to be around Rs 40 crore, led mainly by satellite rights.
 
“By initial reaction, is the clear winner. I expect the film to make Rs 40 crore in the first three days, and Monday is expected to be the windfall day for both films,” said Shaaminder Malik, analyst.
 
In the case of Shivaay, the opinion is split. While its content proposition does not clash with in any way, being an action thriller, it provides variety to the audience. However, the general anticipation among the audience remains muted. “It is and action flicks do not always go with the mood. Moreover, apart from Ajay Devgn, there is no star in the film. The music has not done so well and overall the buzz is lacking. It will do better in single screens, but it could be touch and go in terms of profitability,” said a distributor on the condition of anonymity.
 
Controversy has also helped ADHM. After tension between India and Pakistan escalated, Maharashtra Navnirman Sena (MNS) led by Raj Thackeray had called for a ban on the film since it features Pakistani actor Fawad Khan in a small special appearance. However, the film has not been banned, and Johar issued a plea to let the film be released on schedule, though he did commit that he would not be working with Pakistani artistes in future.
 
“Controversy can make or break a film. However, this film has a clear multiplex skew and the audiences may not be swayed by the MNS propaganda. We have seen that good content winning increasingly over the past couple of years and so ultimately it is the content that will decide the fate of the film,” the distributor added.
 
An exhibitor said that the length of the films would also play a role in gripping audience attention. “ is slighter longer, touching 3 hours in run time. This means exhibitors can play fewer shows. ADHM, on the other hand, is at a crisp 2.5 hours and we can accommodate up to four shows a day,” he added.
 
Multiplexes have split the show ratio at 60:40 between and while in single screens it is 50:50.
 
is an important weekend at the box office with some of the biggest hits of the year releasing around the time. Last year, Fox Star Studios and Rajshri Productions released the Salman Khan starrer Prem Ratan Dhan Payo, which went on to become the biggest Bollywood opener ever at Rs 42 crore. Before that, it was Shah Rukh Khan’s Happy New Year (2014) that made big bucks in the opening weekend as well. This year, however, no record for opening day or weekend is expected to be broken, though estimates peg both films to make Rs 150-175 crore each in their respective lifetimes in theatres.

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The irrelevance of Security Council

Hardeep Singh Puri's book 'Perilous Interventions' focuses on military interventions in Iraq, Libya, Syria and Yemen

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India’s strikes on terror camps across the Line of Control occurred a few weeks after Ambassador Hardeep Singh Puri’s book Perilous Interventions was published. Mr Puri’s book is focused on similar military interventions in Iraq, Libya, and Yemen, and opens a window to the secretive working of the United Nation Security Council (UNSC).
 
The strikes were presented by the government as a bold and audacious move on India’s part; in comparison Mr Puri’s book is less explosive. But his analysis of events in hindsight and his experiences have convinced him that the has become irrelevant and is in the dire need of reforms.  He has quoted many examples, some being the unauthorised military strikes in in 2003, Russia’s unilateral decision to annex the Crimea from Ukraine, Saudi Arabia’s military strikes in Yemen, the overstepping of the mandate on and, most recently, the lack of consensus among member-states on Syria.


 
Mr Puri was chairman of the in August 2011 and had served the UN as India’s permanent representative from 2009 to 2013. He has, through this book, poured his heart out against the unfettered self-interest of the both permanent and non-permanent members that have led to the arming of rebels, the rise of terrorism, destruction and unprecedented chaos in the world on the pretext of preventing mass atrocities in West Asia and Africa.
 
Mr Puri describes the geopolitical situation of the past 15 years in eight chapters, each one briefly dealing with a specific problem, its root cause and the position. In the first chapter the former ambassador details the rise of ISIS and failure of policymakers to learn from its mistakes. He calls ISIS an unwanted child of failed intervention of the West and categorically blames the US for spawning it. He blames the Bush administration for neglecting its occupation of Iraq, where the terror groups reorganised and converted themselves into the world’s most lethal terror organisation, ISIS.
 
His chapter on “Libya: The Unravelling of a Country” where he had first-hand experience in dealing with the crisis, provides succinct details about how France and the UK wanted to launch an offensive against Libyan dictator Mummar Gaddafi to topple the latter regime and prevent mass atrocities against civilian and repression of opposition forces. Mr Puri says the US was initially reluctant to join its two close allies the UK and France, but gave in later. These countries overstepped the mandate and their sole aim became to topple the Gaddafi’s regime. Their arming of the rebels has now left the country devastated.  Explaining India’s position, the former ambassador said though India supported the resolution on just like Russia and China, it didn’t co-sponsor the military intervention.    
 
In his report to New Delhi Mr Puri suggested that the resolution against was entirely the result of media pressure. But he does not elaborate India’s position vis-à-vis (Indians constituted the second highest expat population after the Chinese). It would also have been more interesting had he provided some anecdotal evidence or rationale for French and British enthusiasm for military intervention in Libya. 
 
His chapter on Syria, where civil war still rages, draws parallels with the situation in and is cited as another failure. Mr Puri argues that the solution in could not have been replicated in Syria. The chapter assumes significance because the writer shows clear division and mistrust between the two groups. One is led by Sunni-majority Saudi Arabia and its ally Qatar, plus the US, the UK and France on one side and Russia and Shia-dominated Iran on the other. The book suggests that more than a concern for human rights violations the above mentioned countries acted more in their self-interest; Russia’s double veto against military action in stems from its geostrategic interests in the region. Had the approved military strikes in Syria, it would have dealt Russia a massive blow. The biggest irony he highlights is that even as the US, UK, France and some Gulf countries continued arming the opposition forces fighting the Syrian President Bashar al- Assad, Russia allegedly bombed these opposition forces to strengthen the Assad regime.
 
In the next few chapters, Mr Puri continues to build his case on the ineffectiveness of the with example of Yemen. He accused both the US and Saudi Arabia for the current turmoil in this tiny country. Citing various humanitarian and international laws, he concludes that the Saudi’s use of weapons was a violation of the laws of war and has resulted in the killing of innocent civilians and children. “The UN is today playing the role a passive bystander as one country breaks international law and another falls prey to unimaginable man-made devastation,” he writes.  The former ambassador does not stop here and accused the Americans of changing their allies in Yemen as “if they were changing shirts”.
 
Apart from providing a crash course in contemporary history, Mr Puri’s views on the efficacy or otherwise of the are not novel; such assessments have been part of the public discourse for some years.  But an insider’s eye view certainly lends authority to an issue that is worthy of deeper study.

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The irrelevance of Security Council

Diwali weekend could see Rs 130 crore in box office collection

Shivaay and Ae Dil Hai Mushkil hit screens after a month of slow business

Urvi Malvania  |  Mumbai 

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After almost a month of excitement, the Indian box office could in for a busy extended weekend starting October 28 as Karan Johar’s (ADHM) and Ajay Devgn’s hit the cinema screens. 

Trade pundits peg the combined box office revenue during the four-day weekend, October 28-31, at Rs 120-130 crore, with Johar’s love triangle contributing a bigger share. Both the films are releasing in around 3,000 screens in India.

Opening day collections for are expected in the range of Rs 13-15 crore (net after tax), and could be more if feedback after the morning and afternoon shows is stronger than expected. First day revenue for action thriller is expected to be in the range of Rs 10-11 crore, again depending on the feedback. 

Both the films were made at a budget of Rs 100-odd crore each and need a good run at the box office to recover money. Sources reveal that has recovered around Rs 60 crore through satellite, digital streaming and music rights. While exact amount of revenue from ancillary streams for is not known, it is also expected to be around Rs 40 crore, led mainly by satellite rights.

“From the reaction to the promos, acceptance of the music and the general anticipation for the film, is the clear winner. The cast looks good and the music has been well received and appreciated. I expect the film to make around Rs 40 crore in the first three days, if not more, and October 31, Monday, is expected to be the windfall day for both films,” said Shaaminder Malik, a distributor and trade analyst. 

In the case of Shivaay, the opinion is split. While its content proposition does not clash with in any way, being an action thriller, it provides variety to the audience. However, the general anticipation among the audience remains muted. “It is and action flicks do not always go with the mood. Moreover, apart from Ajay Devgn, there is no star in the film. The music has not done so well and overall the buzz is lacking. It will do better in single screens, but it could be touch and go in terms of profitability,” said a distributor on the condition of anonymity. 

Controversy has also helped ADHM. After tension between India and Pakistan escalated, Maharashtra Navnirman Sena (MNS) led by Raj Thackeray had called for a ban on the film since it features Pakistani actor Fawad Khan in a small special appearance. However, the film has not been banned, and Johar issued a plea to let the film be released on schedule, though he did commit that he would not be working with Pakistani artistes in future.

“Controversy can make or break a film. However, this film has a clear multiplex skew and the audiences may not be swayed by the MNS propaganda. We have seen that good content winning increasingly over the past couple of years and so ultimately it is the content that will decide the fate of the film,” the distributor added. 


An exhibitor said that the length of the films would also play a role in gripping audience attention. “ is slighter longer, touching 3 hours in run time. This means exhibitors can play fewer shows. ADHM, on the other hand, is at a crisp 2.5 hours and we can accommodate up to four shows a day,” he added. 

Multiplexes have split the show ratio at 60:40 between and while in single screens it is 50:50.

is an important weekend at the box office with some of the biggest hits of the year releasing around the time. Last year, Fox Star Studios and Rajshri Productions released the Salman Khan starrer Prem Ratan Dhan Payo, which went on to become the biggest Bollywood opener ever at Rs 42 crore. Before that, it was Shah Rukh Khan’s Happy New Year (2014) that made big bucks in the opening weekend as well. This year, however, no record for opening day or weekend is expected to be broken, though estimates peg both films to make Rs 150-175 crore each in their respective lifetimes in theatres. 

Diwali weekend could see Rs 130 crore in box office collection

Shivaay and Ae Dil Hai Mushkil hit screens after a month of slow business

Shivaay and Ae Dil Hai Mushkil hit screens after a month of slow business
After almost a month of excitement, the Indian box office could in for a busy extended weekend starting October 28 as Karan Johar’s (ADHM) and Ajay Devgn’s hit the cinema screens. 

Trade pundits peg the combined box office revenue during the four-day weekend, October 28-31, at Rs 120-130 crore, with Johar’s love triangle contributing a bigger share. Both the films are releasing in around 3,000 screens in India.

Opening day collections for are expected in the range of Rs 13-15 crore (net after tax), and could be more if feedback after the morning and afternoon shows is stronger than expected. First day revenue for action thriller is expected to be in the range of Rs 10-11 crore, again depending on the feedback. 

Both the films were made at a budget of Rs 100-odd crore each and need a good run at the box office to recover money. Sources reveal that has recovered around Rs 60 crore through satellite, digital streaming and music rights. While exact amount of revenue from ancillary streams for is not known, it is also expected to be around Rs 40 crore, led mainly by satellite rights.

“From the reaction to the promos, acceptance of the music and the general anticipation for the film, is the clear winner. The cast looks good and the music has been well received and appreciated. I expect the film to make around Rs 40 crore in the first three days, if not more, and October 31, Monday, is expected to be the windfall day for both films,” said Shaaminder Malik, a distributor and trade analyst. 

In the case of Shivaay, the opinion is split. While its content proposition does not clash with in any way, being an action thriller, it provides variety to the audience. However, the general anticipation among the audience remains muted. “It is and action flicks do not always go with the mood. Moreover, apart from Ajay Devgn, there is no star in the film. The music has not done so well and overall the buzz is lacking. It will do better in single screens, but it could be touch and go in terms of profitability,” said a distributor on the condition of anonymity. 

Controversy has also helped ADHM. After tension between India and Pakistan escalated, Maharashtra Navnirman Sena (MNS) led by Raj Thackeray had called for a ban on the film since it features Pakistani actor Fawad Khan in a small special appearance. However, the film has not been banned, and Johar issued a plea to let the film be released on schedule, though he did commit that he would not be working with Pakistani artistes in future.

“Controversy can make or break a film. However, this film has a clear multiplex skew and the audiences may not be swayed by the MNS propaganda. We have seen that good content winning increasingly over the past couple of years and so ultimately it is the content that will decide the fate of the film,” the distributor added. 


An exhibitor said that the length of the films would also play a role in gripping audience attention. “ is slighter longer, touching 3 hours in run time. This means exhibitors can play fewer shows. ADHM, on the other hand, is at a crisp 2.5 hours and we can accommodate up to four shows a day,” he added. 

Multiplexes have split the show ratio at 60:40 between and while in single screens it is 50:50.

is an important weekend at the box office with some of the biggest hits of the year releasing around the time. Last year, Fox Star Studios and Rajshri Productions released the Salman Khan starrer Prem Ratan Dhan Payo, which went on to become the biggest Bollywood opener ever at Rs 42 crore. Before that, it was Shah Rukh Khan’s Happy New Year (2014) that made big bucks in the opening weekend as well. This year, however, no record for opening day or weekend is expected to be broken, though estimates peg both films to make Rs 150-175 crore each in their respective lifetimes in theatres. 
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Diwali weekend could see Rs 130 crore in box office collection

mardi 25 octobre 2016

Secularism unbound

The book raises important questions and compiles numerous views and contestations

Harsh Mander 

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SECULARISM

India at a Crossroads

Madhav Godbole

Rupa

441 pages; Rs 995


was a civil servant of standing who held several responsible official positions, including that of the Union home secretary. I approached this voluminous compendium on with interest because a person of his reputation and experience had attempted to address the many contestations as well as assaults on in India today. 

This extensive tract is a carefully researched compilation of many important debates and pronouncements on several aspects of as it is both conceptualised and practised in India today. It takes within its scope debates about the meaning of and minorities, the mixing of religion and politics by governments and political parties, communal riots, the condition of minorities, cow slaughter, religious conversions, religious personal law, minority institutions and much else. The writer attempts to realise the prodigious ambition of his study by extensive references to debates in the Constituent Assembly, Parliament and the legislatures, court rulings, legal commentaries and scholarly discussions.

However, the strength of the book – its extensive research and considerable range – also becomes its greatest limitation. Almost every page of the volume is populated by long quotes, sometimes of more than a page. The litany of innumerable quotations soon becomes both frustrating and confusing, first because these are rarely from the original source. Instead, Mr Godbole typically quotes from commentaries that quote the author and then comments on them often with other quotations. Much of the book reads like a diligent post-graduate student’s review of literature. It is hard to understand where Mr Godbole himself stands on many of these contested issues. It is only in the last chapter of the book, titled “The Way Ahead” that the reader finally gets a clear picture of what the author believes. But even here, the author is often simply prescriptive rather than attempting to build a carefully reasoned argument to explain his position about a string of highly debatable issues and conclusions.


The book would have packed twice the power had it been better organised around each of the themes, with the author’s arguments clearly stated each time at the core of each debate, and these positions could have been reasoned and developed in part with the help of discussions by political leaders, jurists and scholars. I also found the set of prescriptions of the author at the end of the compendium piecemeal and scattered. There are interesting and occasionally provocative suggestions, but they don’t add up to a comprehensive alternative imagination of the political and social practice of in this diverse, complex, unequal and ancient land.

Mr Godbole suggests that both and minority be defined by the Constitution, without suggesting what these definitions should be. He also calls for the creation of a Commission, but it is difficult to understand what it would contribute beyond what the National Human Rights Commission and the National Commission of Minorities have accomplished or, more pertinently, have not accomplished. On the other hand, he makes a powerful case for the outlawing of parties that mix religion and politics, by amending the The Representation of the People Act, and is forthright in his criticism of the politics of parties like the Bharatiya Janata Party, Akali Dal, Shiv Sena and the Muslim League, which he is convinced have no place in a secular polity.

With his undoubted commitment to secular values, he still often ranges his views against the pluralism that entails in India, suggesting even a law that bans names and dress that reflect and reveal a person’s religious identity. He is convinced that the Constituent Assembly was wrong in including the right to propagate one’s religion in the Constitution, and feels that this right, the right to evangelise for conversion, as well as maintaining minority educational institutions, should be erased as constitutional rights. He believes that religious sensitivities cannot be allowed to come in the way of publicly honouring the national flag, anthem and national song Vande Mataram. On the other hand, he is stoutly opposed to a ban on cow slaughter, and rightly critical of successive governments after Nehru for supporting such a ban.

He combines incontrovertible proposals such as for police reforms and for welfare of minorities with outlier reform ideas such as making voting compulsory and allowing only parties with more than 50 per cent of the vote share assume office. The problem is that the author does not elaborate why and how these could be accomplished, and why these are crucial for the achievement of a secular polity and society.


The author brings to the subject his understanding of the inner workings of government. He observed from the inside recent historical moments when was most savaged by ruling governments, including the 1984 anti-Sikh carnage, the capitulation of the government in the Shah Bano controversy, the demolition of the Babri Masjid and the Bombay communal carnage and bomb blasts that followed. He is also sturdily opposed to communal politics. 

However, the absence of a coherent overarching analytical framework – philosophical and political – limits the value of the book. In the climate of engineered fear and hatred against religious minorities today, there is little that is more urgent than a critical understanding of what means in India and how it could be better defended and realised. The book raises important questions and compiles numerous views and contestations. But it falls short of making a decisive new contribution to our collective understanding of in the difficult times in which we live.

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Secularism unbound

dimanche 23 octobre 2016

Sunita Narain: Sublime food makeover

Now we need to fight back to reclaim our food and our habits. The only way to do so is to rediscover food as pleasure and be thrilled, not just by its smells and tastes, but also by the knowledge it embodies

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Sunita Narain In a recent television programme, the anchor asked the young audience in the studio if they loved junk food. All yelled, “Yes.” Then he asked if they ate junk food because they were guided by celebrities who endorsed it. All yelled, “No.” This only tells me how subtle – indeed subliminal – is the marketing drive that is changing our food habits and we do not even know it. These foods are rich in sugar, salt and fats, ingredients that are addictive. It is no surprise then that this food is responsible for ill-health across the world. After all, ...

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Sunita Narain: Sublime food makeover

samedi 22 octobre 2016

Ae Dil... gets 'nod' for Diwali release

MNS withdraws vandalism threat; Karan Johar to pay Rs 5 crore towards army welfare in return

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The curtains have finally come down on an almost month-long drama surrounding the release of the film Ae Dil Hai Mushkil, written and directed by film-maker Karan Johar.

The roughly Rs 50-60 crore production, billed as this Diwali's most-awaited release, will open to audiences on October 28 after Johar pays a Rs 5 crore token amount to the army welfare fund as "penance" for casting Pakistani actor in the film. The movie will also carry a message before it is screened honouring Indian soldiers who were killed by Pakistani terrorists in Uri.

The clearance to Ae Dil Hai Mushkil will mean that the other big-starrer, Shahrukh Khan's Rs 80 crore production Raess, which also casts Pakistani actors, is likely to go through when it comes up for release next year. Raess, say sources, will also have to pay a token amount towards army welfare and so will another Shahruhkh Khan film, Dear Zindagi.

The Raj Thackeray-led Maharashtra Navnirman Sena (MNS), which had been opposing these films on the grounds that their makers were anti-national, is now claiming victory. In a press conference on Saturday, Thackeray said, "All the producers who have Pakistani artistes in their films will as penance have to pay some money. I suggested Rs 5 crore per film."

Johar is expected to finalise his distribution plans for Ae Dil Hai Mushkil over the next few days, given that much of this had come to a standstill in the last one month.

Interest in the film remains high due to the unusual pairing of Aishwarya Rai Bachchan and Ranbir Kapoor, lead actors in Ae Dil Hai Mushkil. The film also stars Anushka Sharma besides Fawad Khan.

In a video recording a few days ago, Johar had said the livelihood of 300 people was dependent on the film and that it should release.

A film is typically available in as many as 3,000 screens across the country and also does well in the US and UK, where the non-resident Indian population is high.

Fox Star Studios, which is distributing Ae Dil Hai Mushkil, has said it stands by Johar and will lend all its support to him. The studio, which has a nine-film deal with Johar's Dharma Productions, is also the producer of Ae Dil Hai Mushkil.

The impasse would not have come to an end if Maharashtra Chief Minister Devendra Fadnavis had not intervened. Political sources said the Bharatiya Janata Party was not prepared to yield any ground to the in the run-up to the Brihan Mumbai Mahanagar (BMC) polls. It was Johar's meeting with Home Minister Rajnath Singh a few days ago that cleared the decks for Fadnavis to intervene.

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Ae Dil... gets 'nod' for Diwali release

First look of Baahubali 2 unvelied at MAMI

Before releasing the motion poster, the director called it a birthday gift to Prabhas

IANS  |  Mumbai 

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The first look of the much-awaited film was unveiled in the presence of its team, including director Rajamouli, actor and actresses and Anushka Shetty.

Before releasing the motion poster, the director called it a birthday gift to Prabhas.


In the poster, with rain and thunder in the background, an intense-looking is seen flaunting his abs, with a chain wrapped around one arm and a sword in the other.

The "Baahubali" team also launched the teaser to a virtual reality spin-off film, set around the world of Baahubali and gave the audience a sneak peek into a game and a comic, based on the epic franchise.


The festival attendees got to try out the VR (virtual reality) gear and a chance to get transported to the Baahubali world.

First look of Baahubali 2 unvelied at MAMI

Before releasing the motion poster, the director called it a birthday gift to Prabhas

Before releasing the motion poster, the director called it a birthday gift to Prabhas
The first look of the much-awaited film was unveiled in the presence of its team, including director Rajamouli, actor and actresses and Anushka Shetty.

Before releasing the motion poster, the director called it a birthday gift to Prabhas.


In the poster, with rain and thunder in the background, an intense-looking is seen flaunting his abs, with a chain wrapped around one arm and a sword in the other.

The "Baahubali" team also launched the teaser to a virtual reality spin-off film, set around the world of Baahubali and gave the audience a sneak peek into a game and a comic, based on the epic franchise.


The festival attendees got to try out the VR (virtual reality) gear and a chance to get transported to the Baahubali world.

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First look of Baahubali 2 unvelied at MAMI

Bollywood vulnerable where politics is concerned: Ajay Devgn

Earlier Bollywood actor like Shah Rukh Khan and Aamir Khan had faced a backlash on their remarks on intolerance

IANS  |  Mumbai 

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Actor-filmmaker Ajay Devgn, who awaits the release of his "Shivaay" directorial venture, says the Indian film industry is scared of because if a person speaks against any political party, his film will be prevented from releasing.

On October 28, "Shivaay" will clash at the box office with filmmaker Karan Johar's "Ae Dil Hai Mushkil", which is currently in news for featuring Pakistani actor Fawad Khan.


Earlier popular celebrities like Shah Rukh Khan and Aamir Khan had faced a backlash on their remarks on intolerance. Even filmmaker Mukesh Bhatt said recently that he will not work with Pakistani actors.

Asked Ajay whether it is nationalism or fear behind such statements, he said: "Both. When it comes to nationalism, as I said, I stand by the country. When it comes to politics, an industry men gets a little scared. He gets scared because if today you say anything against a group, your film will be stopped, something will happen."


"We are very vulnerable where is concerned. Where nationalism is concerned, I don't think it (Bollywood) is divided... We want to stay away from because we are vulnerable.

"But when it comes about the nation, there I stand by it. But when is concerned, sometimes you say it, but most of the time you stay quite because of fear," he added.

Ajay along with his wife Kajol on Saturday took part in conversation at "Manthan" Aaj Tak to talk about the current political scenario of and Pakistani actors.

Devgn feels film industry is one place where religion has never been the issue.


"Nobody can deny one good thing about the industry is we never had any issues with religion. We have Hindus, Muslims, Parsis, Christians everybody working under one roof. We celebrate every festivals together. We never had any problem in our industry. If films can influence the society then it should begin from here," he said.


"Film industry is divided like our society, but when religion is concerned we are not divided," he added.


Like many in the industry, Ajay too says that till the time the tensions between India and Pakistan get better, he will not work with any artiste from that side of the border.


"I have worked with Pakistani actors, but right now the situation is such that we have to stand by our nation. I hope that the problem gets solved till then I will not work with them," he said.


"They have also banned our films as they are standing by their nation. We should also stand by our nation, but instead we are fighting against each other," the "Singham" actor said.


He added: "In my life the best music was given in the film 'Kachche Dhaage' by Nusrat Fateh Ali Khan. All the songs were nice in that film."

Bollywood vulnerable where politics is concerned: Ajay Devgn

Earlier Bollywood actor like Shah Rukh Khan and Aamir Khan had faced a backlash on their remarks on intolerance

Earlier Bollywood actor like Shah Rukh Khan and Aamir Khan had faced a backlash on their remarks on intolerance
Actor-filmmaker Ajay Devgn, who awaits the release of his "Shivaay" directorial venture, says the Indian film industry is scared of because if a person speaks against any political party, his film will be prevented from releasing.

On October 28, "Shivaay" will clash at the box office with filmmaker Karan Johar's "Ae Dil Hai Mushkil", which is currently in news for featuring Pakistani actor Fawad Khan.


Earlier popular celebrities like Shah Rukh Khan and Aamir Khan had faced a backlash on their remarks on intolerance. Even filmmaker Mukesh Bhatt said recently that he will not work with Pakistani actors.

Asked Ajay whether it is nationalism or fear behind such statements, he said: "Both. When it comes to nationalism, as I said, I stand by the country. When it comes to politics, an industry men gets a little scared. He gets scared because if today you say anything against a group, your film will be stopped, something will happen."


"We are very vulnerable where is concerned. Where nationalism is concerned, I don't think it (Bollywood) is divided... We want to stay away from because we are vulnerable.

"But when it comes about the nation, there I stand by it. But when is concerned, sometimes you say it, but most of the time you stay quite because of fear," he added.

Ajay along with his wife Kajol on Saturday took part in conversation at "Manthan" Aaj Tak to talk about the current political scenario of and Pakistani actors.

Devgn feels film industry is one place where religion has never been the issue.


"Nobody can deny one good thing about the industry is we never had any issues with religion. We have Hindus, Muslims, Parsis, Christians everybody working under one roof. We celebrate every festivals together. We never had any problem in our industry. If films can influence the society then it should begin from here," he said.


"Film industry is divided like our society, but when religion is concerned we are not divided," he added.


Like many in the industry, Ajay too says that till the time the tensions between India and Pakistan get better, he will not work with any artiste from that side of the border.


"I have worked with Pakistani actors, but right now the situation is such that we have to stand by our nation. I hope that the problem gets solved till then I will not work with them," he said.


"They have also banned our films as they are standing by their nation. We should also stand by our nation, but instead we are fighting against each other," the "Singham" actor said.


He added: "In my life the best music was given in the film 'Kachche Dhaage' by Nusrat Fateh Ali Khan. All the songs were nice in that film."

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Bollywood vulnerable where politics is concerned: Ajay Devgn