vendredi 31 mars 2017

These 2017 cars are most likely to become valuable in the future

Maybe you’ve seen those Alfa Romeo Giulia commercials on television — the ones with the cherry red sedan and the female voice cooing about leaving “Predictable” behind.


Turns out, you may be wise to splurge. According to experts who insure collectable for a living, the Giulia has what it takes to hold its value as it ages. It could even become an icon.

“Vehicles like this, aimed at [brand] enthusiasts and luxury consumers, continue to outdo themselves year-over-year in terms of power, drivability, and overall performance,” said McKeel Hagerty, chief executive officer of Hagerty, an insurance firm for vintage and collectible Those characteristics — power, drivability, and performance — are crucial factors in what can propel a car to a decent value 30 years from now. The sure bet, though, is to buy a car that is exceedingly rare and obtrusively different to see as it rolls down the road. 

Ferrari

Ferrari LaFerrari Aperta 

(Rs 22.1 crore)

This super-rare convertible version of the already historic LaFerrari is already sold-out, so you’ll have to be lucky to get one. The technology is especially novel: The car has a V12 engine, plus an electric motor and KERS technology for the equivalent of 949 total horsepower. And it looks like an alien—sometimes, for collector cars, the weirder, the better. This one certainly passes muster.

What’s more, vintage limited-edition Ferraris are selling for tens of millions of dollars, more than triple and even quadruple their original prices.


(Rs 78 lakh, estimated)

The V10, 645-horsepower car is meant to celebrate the lap record Randy Pobst set in a ACR at Laguna Seca Raceway in October 2015.

It can hit 60 miles per hour in three seconds and hit nearly 200mph at top speed. It’s also the final edition and last-production Dodge Viper, which makes it an even more special prospect for collection, because once this year’s 28 units are sold, they’re gone.

“This Viper ACR ...  is celebrated for the large-displacement, small sports car formula executed by so many legends,” Hagerty said.


Chevrolet Camaro ZL1

Chevrolet Camaro ZL1 

(Rs 39.74 lakh)

At 50 years and counting, the Camaro is an old model. Historic. This proves how beloved it has become—the car has seen many generations and performance upgrades.

The Camaro gained notoriety through countless drag racing wins and movie cameos, especially in the massively popular Fast and Furious franchise.

The 2017 Camaro ZL1 has a massive, 6.2-liter V8 engine and 650 pounds-feet of torque. It’ll hit 60mph in 3.5 seconds — faster than the RWD Lamborghini Huracán Spyder.


(Rs 35.03 lakh-Rs 36.4 lakh)

Porsches remain dominant on the auction market today. That won’t change, especially for “lesser” but more interesting models than the standard 911, such as the 718 Cayman and Boxster.


That’s why when you want to differentiate yourself a bit from the pack, the 2017 718 lineup is a very good option. It’s not as expected a choice as the ubiquitous 911, and it’s arguably more fun to drive. This version has a brand-new, turbocharged, flat-four engine and 25 more horsepower in the 718 than in previous models.

Abarth (Rs 18.32 lakh)

This classic 124 Spider shares architecture with the Mazda Miata, which—despite its humble mien—is fun and sporty to drive, as any road-racing dilettante knows.

It can hit 60mph in 6.3 seconds, so it’s not lightning-quick, but the “MultiAir” turbo engine and lusty torque on such a small, lightweight body give it true Italian verve.

This is the European gift you’ll have fun driving and keeping around for a few decades, while it appreciates.


Ford

Ford F-150 Raptor 

(Rs 32.18 lakh)

When Ford made the original special edition F-150 Raptor in 2009, the truck was welcomed with rapt attention.


The Raptor is like a hyped-up, super-in-shape, race-ready version of the bestselling vehicle in America going on four decades; it’s always a good idea when scouting for collectible to get the special, souped-up version, anyway.

For 2017, the Raptor has even more power (450hp on a twin-turbo, 3.5-litre, eco-boosted engine) and is 500 pounds lighter to boot. It’s considerably more efficient than the previous V8.

Text and photos: Bloomberg

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These 2017 cars are most likely to become valuable in the future

Unwelcome guests

TEMPORARY PEOPLE
Author: Deepak Unnikrishnan
Publisher: Restless Books


Pages: 227
Price: $17.99
 
Deepak Unnikrishnan’s novel-in-stories narrates a series of metamorphoses. Guest workers dissolve into passports, a man begins “moonlighting as a mid-sized hotel” and a sultan harvests a fresh crop of labourers. Elsewhere a man has grown a suitcase for a face, while a teenager’s tongue has fled his body, verbs soon spilling out and assuming forms of their own. All this surreal shape-shifting patches together a mosaic of the frenetic, fantastical and fragmented lives of the South Asian diaspora in the United Arab Emirates, one that recalls the cry of its closest forebear, Salman Rushdie’s Midnight’s Children: “Please believe that I am falling apart.”
 
What separates Unnikrishnan from Rushdie, and the vast literature of exile that precedes them, are his subjects. Temporary People explores the lives of arguably the least privileged class of nomads in the 21st century: guest workers. Joining the South Indian writer Benyamin’s “Goat Days,” a novel of modern-day enslavement in Saudi Arabia, and the British-Emirati director Ali Mostafa’s City of Life, a film that weaves together a cross-section of lives in Dubai, Temporary People is a robust, if somewhat scattered, entry into the nascent portrayal of migrant labour in the Gulf.
 
TEMPORARY PEOPLE

Bereft of language, status and self in a foreign land, Unnikrishnan’s characters radiate desperation and desire as they perform backbreaking work and cope with second-class citizenship. Well, that’s technically incorrect: They can’t become citizens. Under the United Arab Emirates’ visa system, these “temporary people”, who make up as much as 80 percent of the population, will eventually have to leave. In Unnikrishnan’s imaginings, this ever-present threat of displacement comes to the fore only during his characters’ most naked moments. His depictions of sex are entangled with the ganglia of residency, race, class and gender, as well as the instability and inadequacy of language, the collection’s constant refrain.
 
Mingling English, Malayalam and Arabic in a series of Kafkaesque parables, Unnikrishnan’s book features a lot of action and even some humour. Unfortunately, his hybrids of language and genre don’t always succeed. The trilingual patois can fall flat, as when each section is called a “chabter.” At times, self-evident themes are laboriously spelled out: “Pravasi means foreigner, outsider. Immigrant, worker... Absence. That’s what it means, absence.” But perhaps one can excuse an overemphasis on this theme in particular: Left to the demimonde of the city, these characters can never forget that the Dubai dreamscape is reserved for locals and Western expats, not those in exile, like them.
 
Surrounded by injustice, Unnikrishnan’s characters don’t always remain passive. At times risking arrest, they fume, curse, kick and even bite. In each of the collection’s three best stories — “Mushtibushi,” a precocious child’s testimony about a sexually abusive elevator; “Moonseepalty,” the cannibalistic reunion of two estranged friends; and “Kloon,” a clown’s foray into prostitution — the migrant labourer’s growing sense of shame finally explodes.
 
Temporary People pairs well with an older cousin in nonfiction, John Berger’s A Seventh Man. In that stirring cri de coeur about migrant labour in Europe, Berger reminds us of a point that is embedded within Unnikrishnan’s stories: Countries that send migrant labourers to global metropolitan centres are often forced to do so. “There should be a transitive verb: to underdevelop,” Berger writes. “An economy is underdeveloped because of what is being done around it, within it and to it.” Unnikrishnan’s collection poses its questions obliquely, but demands explicit answers. What causes a society to look like this?


 Shaj Mathew has written for The New Republic
© 2017 The New York Times

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Unwelcome guests

RBI Lost in transmission

After nationalisation, RBI lost control of interest rate transmission mechanism

Dialogue of the Deaf


The Government and the RBI
Author: TCA Srinivasa Raghavan
Imprint: Tranquebar
Pages: 304
Price: Rs 599
 
The first step Mrs. Gandhi took for fulfilling her father’s dreams was to nationalise fourteen private banks with deposits of not less than Rs. 50 crore on Friday, July 19, 1969. Between them they accounted for over 90 per cent of banking business in the country. As she would do when she decided to divide Pakistan up in March 1971 or imposed the Emergency in 1975, Mrs. Gandhi acted decisively. Volume Three of the RBI’s official history says that on July 17 she asked L. K. Jha, the Governor to come over to Jha thought he was being asked to discuss social control and he took with him a comprehensive note on the subject. When he offered it to Mrs. Gandhi she told him ‘that he could keep the note on her table and go to the next room and help in drafting the legislation on nationalising the banks.’ D. N. Ghosh, a deputy secretary, and R. K. Seshadri who was an executive director in the RBI, were hard at work there. It wasn’t the next room though; it was the building on Parliament Street where the drafting was done.
Indira Gandhi

 
She also asked the Economic Affairs Secretary, I. G. Patel to prepare a speech. Patel reportedly told her to exempt foreign banks and to nationalise only the big banks. When he asked her why, he was told, ‘It is a political decision’. The prize? Complete control by her of the Congress party, which has lasted to date via her descendants. Pupul Jayakar, a close confidante of Mrs. Gandhi later wrote in her memoirs that according to Mrs. Gandhi, she had been pushed into it by her adversaries. ‘They drove me to the wall and left me with no other option’, in her words.
 
The law ministry, too, was involved, obviously. S. K. Maitra was a joint secretary there and he noted that ‘Shri (P. N.) Haksar told me that the Prime Minister has directed that an ordinance for the nationalisation of certain banks be drafted by me immediately.
L K Jha

L K Jha


 
‘He also instructed me to keep the matter completely secret and told me that I should not disclose my movements to anyone’.
 
Possibly the most important consequence of this was that the more or less formally lost its power to set interest rates. True, it had never been fully independent in this regard—the bank rate was kept at 3 per cent from 1935 to 1952 even though the had wanted to increase it from time to time. But after bank nationalisation and the resulting dominance of the Finance Ministry over the banking system, the also lost control of what these days is called the transmission mechanism. Indeed, such was the disempowerment of the that when its board met a few days after the nationalisation on July 23, no records were kept of the discussion. The whole meeting was described in a single line: ‘There was a brief discussion on the implications of the bank nationalisation ordinance.’ When the board met again on July 30, L. K. Jha told the members that ‘…the will continue to be responsible for monetary policy and ensuring compliance…by the nationalised banks.’ But this would soon be proved wrong.
 
A connected issue, which has been re-echoing now for a few years, was of setting up a body that would control these fourteen banks. It was, in a sense, the idea of a holding company but not in the corporate sense. Within a few days of it being suggested in Parliament, it was ruled out because no one really knew what it would entail. Nor did anyone know what to do next. The political purpose had been served and the commercial aspect would be left as is for some time. The banks would now take their orders from the government, not the whose wards they were supposed to be by law.
 
All that the would do for the next two decades was to exhort them and inspect them but without much power to penalise them. Resources transfer in the country would now happen via the banking system and progressive taxation, which also acquired a new life with the marginal tax rate reaching 97 per cent in 1973 and staying at over 90 per cent through the 1970s.
 
In 1970, Mrs. Gandhi presented the Budget and this is what she said in conclusion. It is worth quoting … because it laid the framework for economic policy for the next two decades, and perhaps even beyond.
I G Patel

 
‘The provision of adequate employment opportunities is not just a welfare measure. It is a necessary part of the strategy of development in a poor country which can ill-afford to keep any resources unutilised or under-utilised….The weakest sections of the society are also the greatest source of potential strength. We cannot provide for all the urgent needs of society with our limited resources. But a balance has to be struck between outlays which may be immediately productive and those which are essential to create and sustain a social and political framework which is conducive to growth in the long run.
 
‘I would like to say that in presenting my first Budget to this Honourable House, I have become acutely aware of the challenges as well as the constraints of the contemporary epoch of development of our national economy. I [have] endeavoured to set out the broad framework within which this Budget is cast. That framework, I believe, is consistent with the political, economic and social realities of our country. Convinced as I am of its essential soundness, there is no alternative but to tread a difficult but determined course. If the opportunities for growth which are so much in evidence are to be seized fully, no effort must be spared for raising resources for the purpose…. The fiscal system has also to serve the ends of greater equality of incomes, consumption and wealth, irrespective of any immediate need for resources. At the same time, the needs of those sectors of the economy which require private initiative and investment must also be kept in mind in the interest of growth of the economy as a whole. I can only hope that the proposals I have just presented steer clear of the opposite dangers of venturing too little or attempting too much.’
 
Thus began a process that in the 1980s degenerated into competitive populism. But in 1970, for a country looking for a fresh whiff of leadership, new ideas and desperate for reassurance that someone was at last in charge, these ideas came as a clarion call comparable only to the ‘tryst with destiny’ speech of Nehru twenty-three years earlier. In terms of contemporary relevance, it was like the election campaign speeches of Narendra Modi during October 2013-May 2014.

 Excerpted with permission

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RBI Lost in transmission

Like chalk and cheese

Abhik Sen tries out 2 new projectors and is left impressed with both - for very different reasons

Abhik Sen 

Epson EH-TW8300 (Rs 2,41,339) I like nothing better than watching my favourite movies at home, relaxing with wine and cheese, whenever I get the chance. But recently, I’ve been binge-watching The Blacklist and Daredevil on Netflix, and I only have this Epson projector to blame. The projector’s heft and range of connectivity options show it means business. The presence of motorised lenses add an extra degree of convenience. Watching Netflix on the projector was relatively simple after connecting it to a PC. Bear in mind I was watching streamed 4K content on a ...

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Like chalk and cheese

Shriram Shankar Lal Music Festival: Going strong in its 70th year

One of India’s oldest festivals, the Shriram Shankar Lal Music Festival, kicked off yesterday. The festival, in its 70th edition, began with a recital by the reigning queen of thumri,

She began the recital with Raag Purvi. As tradition demands, she sang the raag elaborately in various ways in the first, second and third speed. Her voice was as clear as a bell, despite her age. However, one wished the tabla player had tuned the instrument before the rendition. had to prompt him a number of times in this regard. He finally managed to tune his tabla by the time the vocalist got to the third speed of the first piece in Raag Purvi. Thereon, his finishings were crisp. The maestro rendered.

The sound system, too, took time to warm up. One wished the instruments would blend with the voice of the doyenne in harmony rather than suppress the vocals, as they did initially.


As she moved to the next piece, the sound system and the instrumentalists had warmed up. The viraha of the nayika who is yearning to unite with her lover was expressed in this thumri. The nayika is stranded on one side of the river, while her lover calls out to her from the other side, but she is unable to make it. rendered the emotion in various patterns set to Desh Raag.

In the month of Chait, a Chait had to be part of her renditions. A folk genre from Varanasi, the song celebrates the month of Navaratri.

Ajoy chakraborty also performed on the first day of the festival.

The Shankar Lal Music festival was earlier held under the banner “Jhankar Festival”. The festival has managed to bring in senior artistes without any sponsors on board. This year’s festival will also present various senior artistes in the Hindustani genre: Manjiri Asnare Kelkar (vocal), Shiv Kumar Sharma (santoor), Biswajit Roy Chowdhury (sarod), Rashid Khan (vocal), Purbayan Chatterjee (sitar) and Pandit Jasraj (vocal).  


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Shriram Shankar Lal Music Festival: Going strong in its 70th year

jeudi 30 mars 2017

Delhi Regal era ends with house-full show of Raj Kapoor's 'Sangam'

After entertaining film lovers for more than eight decades, Theatre </a>is signing off in style with a 'house-full' last show of Raj Kapoor's 1964 movie "Sangam" on Thursday night.

Built in the pre-independent era, once hosted Prime Minister Jawaharlal Nehru, his daughter and megastar

The cinema hall, which opened in 1932, will stop operating as a single screen from tomorrow but the staff is treating the last day at work just like another day.

"All shows are booked for today. But we have a few tickets left for the front-stall of the evening show of Raj Kapoor's 'Mera Naam Joker'. We don't know if any of them will be left in a few hours from now," says manager Roop Ghai.

He says it was a difficult moment for the family but it was something that could not have been avoided.

"Yes, it is the end of an era but this is how it is."

Ghai is not sure about the future of the 15-odd people employed at the theatre but hopes that the owners retain the old staff once returns as a multiplex.

Despite it being the last day, the manager says they kept the rates of the tickets unchanged.

"No, we have not hiked the prices. They are the same. The front-stall for Rs 80, the rear-stall for Rs 100, the balcony for Rs 120 and the box for Rs 200."

Amar Singh Varma is busy settling accounts of the employees while attending to customers' calls just as diligently as he has been doing for more than four decades of his service as an accountant.

"I have worked here as accountant for almost half the time this theatre has been functioning. My main concern right now is to settle all dues of the employees. But the phone keeps ringing as people are still calling to ask for tickets."

Varma says there are around 10-15 people who have been actively working for the cinema hall, apart from the other staff.

The grandeur and magic of the bygone era is still visible in its corridors, which are flanked by the black-and-white images of cine stars Nargis, Madhubala, Meena Kumari, and

When asked what films he has watched in the theatre, a misty-eyed Varma says, "I am a huge fan of and I don't like watching films that are being made today. I don't call them films. Tonight, I will watch 'Sangam', which is the last show."

One would expect for a theatre as old and loved as the to go out with some pomp and show. But the atmosphere is quiet and no special arrangements have been made for the final day.

"We are just going to have an intimate lunch with the staff and it will be our 'bidaai' (farewell)."

He, however, wishes that they had a grand celebration but that is something the owner should have thought about.

On saving single screens, Varma says it is going to be a difficult time as people do not wish to come to such cinema halls anymore.

"Nobody cares. So, it gets difficult for us to survive in the changing market. Now, only the government can do something to preserve whatever is left of the single screens in the country. If they will not cut down the taxes, I don't see single screens sustaining for long."

Veteran actor took to Twitter to bid an emotional goodbye to

"Demolish. Adios Theatre, Delhi. A place where all the Kapoor's theatre and cinema work was seen. Had 'Bobby' premiered there too! Thank you!," the actor posted on Twitter alongside a picture of the iconic cinema hall.

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Delhi Regal era ends with house-full show of Raj Kapoor's 'Sangam'

Accountant wins top female business prize

ACCOUNTANT Val Buzzard has been named Banbury Woman in the Year in the town’s business awards. Accountant wins top female business prize

Deal with drug giant boosts Oxford pharma's shares

OXFORD pharmaceuticals firm Circassia saw shares jump by a third after drugs giant Astra Zeneca announced it is taking a £40m stake in the company. Deal with drug giant boosts Oxford pharma's shares

Salt-water secrets could sort some of world's food problems

A KIDLINGTON firm believes its new device has the potential to become a billion-pound product in food manufacturing. Salt-water secrets could sort some of world's food problems

Naam Shabana review: Taapsee Pannu steals the show in a middling movie

After a scintillating performance in Pink, seems like natural progression as an actor for Her expressions, mannerisms and gestures in the movie keep harking back to the sleeper hit of last year. However, has Taapsee showing off her martial arts chops in spades and they are an absolute delight.

is a prequel to Baby, which was directed by the former's producer It showcases how titular character Shabana becomes a secret agent throwing light on her background -- a fearless Muslim girl with a dark past, centers her life around her mother and kudo training. Taher Shabbir Mithaiwala as Jai is head over heels in love with her and while she intends to reciprocate she maintains her stoic self. Meanwhile, she continuously remains under the surveillance of a secret agency of the Indian government.

The very idea of seeing a woman perform stunts and beat baddies is alluring. Taapsee does complete justice to the part. At no point does she go overboard. Although she keeps her emotions under check, her eyes clearly emote her closeness to her mother and affection towards Jai. The moments when she breaks down are reflections of her fine acting abilities. The action sequences are finely done too. 


Mithaiwala‘s part feels truncated and his dialogue delivery looks forced on some occasions. Even Manoj Bajpayee as a senior officer of the agency has nothing much to do. He mouths funny statements like Women have inherent traits of being spies. It is quite disheartening to see an actor like Manoj do this role completely not worthy of his talent. Then there is who marks the entry before interval and gets few more scenes in the pre-climax sequences. Akshay does his Akshay thing by just showing off his prowess in martial arts and machismo.

Many of the other characters from the earlier-released Baby are also intelligently ingrained in the script. For instance, Anupam Kher as Om Prakash Shukla manages to tickle the funny bones with his tiny part. Danny Denzongpa as Feroz Ali Khan also makes an appearance and makes one wonder why he doesn't appear on screen more often.


What is missing in is a story, a solid plot. There is a villain who deals in arms and flesh trade. The Indian agency plots to track him. Many opportunities backfire. And they don't come as a surprise. The globetrotting kingpin forces the secret agents to chase him in Vienna and Kuala Lumpur. Despite an inspired casting of Prithviraj Sukumaran as Tony, the villain, it feels another actor could have perhaps done a lot more with a better etched role. He wears fine garments, moves around with a bevy of security and knows how to fool his opponents but there's something inherently blasé to his role.

While we are made to believe that the secret agency has sweeping powers, its officers are hoodwinked way too easily. Sudheer Palsane’s praiseworthy cinematography also fails to lift the storyline.

Making matters worse for the film are the songs which are tinnitus inducing. As the story drags, the songs make it lengthier. The editing is sharp but the songs, barring Rosana, completely stall the narrative.


It is quite difficult to not compare with Baby. While the latter had some moments which served as the highlight, there is no such scene in the former that bowls one over. The climax is nothing but predictable. It becomes quite a pain to wait for the end to near as the usual brawls keep occurring.

Nonetheless, Taapsee makes up for many of the missing elements. Akshay, however, adds the zing in the dull plot. 

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Naam Shabana review: Taapsee Pannu steals the show in a middling movie

mercredi 29 mars 2017

The quintuple Indian spy

It throws insight on World War II, Indian freedom struggle and communist movement

The Indian Spy The True Story of the Most Remarkable Secret Agent of World War II Mihir Bose Aleph 350 pages; Rs 599 Those who have read Mihir Bose’s The Lost Hero, his monumental biography of Subhas Chandra Bose, will find it hard to forget Bhagat Ram Talwar, the man to whom the underground communist network had entrusted the delicate task of ferreting the Congress leader to Kabul from Peshawar.   In that book, the author had said that the British were fully aware of every step Bose took. The communist network had been compromised. Exploring that leak, and relying on ...

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From listening to the Beatles to eating beetles

Since the 1960s and ’70s, food has replaced music’s centrality to American culture. These are invariably somewhat subjective impressions, but I’d like to lay out my sense of how the social impact of music has fallen and the social role of food has risen.
 
In the earlier era, new albums were eagerly awaited and bought in the hundreds of thousands immediately upon their release. Diversity in the was relatively low, as genres such as rap, heavy metal, and ambient either didn’t exist or weren’t well developed. It was also harder to access the music of the more distant past — no Spotify or YouTube — and thus people listened to the same common music more frequently.


 
That was by no means a good deal for every listener in terms of pleasure, but it did give music a powerful social influence. Bob Dylan, the and various forms of hippie music shaped political debates, introduced many people to drugs or long hair, and were a touchstone for the age. With the possible exception of Kendrick Lamar, musicians today don’t have comparable ideological reach. is a paradigm of the non-political, intellectually generic pop star, and it was mostly a non-event when Kanye West endorsed Donald Trump for president. In contrast to the past, today’s pop hardly ever cites literary sources, a sign of its relatively generic content.
 
The rhythmic, propulsive and sometimes dissonant nature of cutting-edge music in the 1960s and ’70s often impelled us to get up and do something. Both black and white music were central to the civil rights era and the protests against the Vietnam War, and Pete Seeger’s “We Shall Overcome” were known to millions of Americans. 
 
As for where the change and innovation have come, it’s hard to think of any sphere of American life where the selection and quality have improved so much as food, whether in the supermarket or in restaurants. American cities become more interesting places to dine each year, and the attention paid to food on TV and online has been growing steadily since the 1990s.
 
Restaurants are increasingly an organising and revitalising force in the cities, and eating out has continued to rise as a means of socialising. America’s educated professional class may be out of touch with sports and tired of discussing the weather, and so trading information about new or favourite restaurants, or recipes and ingredients, has become one of the new all-purpose topics of conversation. Food is a relatively gender-neutral topic, and furthermore, immigrant newcomers can be immediately proud of what they know and have eaten.
 
The current culinary touchstone is the foodie or TV host who “eats everything,” from pig snouts to worms to scorpions. Cannibalism aside, the list of what has been consumed on television is now so long it’s hard to shock viewers (not only do some insects taste like potato chips, but in some dining circles consuming potato chips is arguably the more rebellious act). The more prosaic truth, however, is that eating everything is not much of a revolution. If anything, historical resonance has been achieved by people who refused to eat certain foods, whether the underlying doctrine was vegetarianism, Jainism, or

© Bloomberg

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From listening to the Beatles to eating beetles

mardi 28 mars 2017

Virtual boost: Baahubali-2 may change the way sports is watched at homes

Soon, the experience of watching sports sitting in your living room would get a virtual boost.

Radeon Technologies Group, a part of chip maker AMD, is out to change the way people watch sports at home.


Using a (VR) headset, the company wants to give a 360-degree view of a sporting arena to a viewer. The living room would suddenly be in the middle of a stadium. A viewer with a VR headset would get a glimpse of every inch of the stadium by moving his head towards the direction he wants to see.

“We are talking to people in the sporting world for live streaming of matches on our VR platform,” Raja Koduri, senior vice-president of Radeon Technologies Group, who heads the graphics processor development initiative of AMD, told Business Standard. “We hope to make some announcements in this regard in the second half of this year.”
 

Radeon perfected the technology for live streaming during its collaboration in the making of Baahubali 2, said Koduri. 

“The tools that were used in the making of Baahubali 2 were 10 times better than what were used to make the first Baahubali. Part 2 contains two trillion pixels of graphics. There was not a single frame without VR content.”

Radeon’s parent company, which designed a VR capture camera and the world’s fastest 360-degree video stitching software, has created a new silicon chip that can do 100 billion operations per second, especially for this movie.

The new graphics processor, called Vega, would be launched globally later this year. "We have built a new graphics architecture grounds-up for Baahubali as the action part with the VR background had to be integrated and captured into each frame on a real-time basis, in just 10 milliseconds (1 second=1000 milliseconds). We required a new chip for this so that we can deal with many, many petabytes of data (1 petabyte= 1,000 terabytes or 1 million gigabytes), similar to a supercomputing environment," Koduri explained.

What this means is a real-time, seamless spherical view of a stadium in 5k digital clarity during live-streaming.


Even without a VR headset, a viewer can get a 360-degree view by using a cursor. The content has to be streamed live on a VR platform through high-speed internet. 

Turning fantasy into reality

  • Radeon Technologies is now attempting to extend the VR technology to the live streaming of popular sports like cricket
  • Radeon perfected the technology for live streaming during its collaboration in the making of Baahubali 2
  • Radeon’s parent company, AMD,  which designed a VR capture camera and the world’s fastest 360-degree video stitching software, has created a new silicon chip that can do 100 billion operations per second
  • Even without a VR headset, a viewer can get a 360-degree view by using a cursor. The content  has to be streamed live on a VR platform through high-speed internet

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Virtual boost: Baahubali-2 may change the way sports is watched at homes

Bahubali-2 may change the way sports is watched at homes

Soon, the experience of watching sports sitting in your living room would get a virtual boost.

Radeon Technologies Group, a part of chip maker AMD, is out to change the way people watch sports at home.


Using a (VR) headset, the company wants to give a 360-degree view of a sporting arena to a viewer. The living room would suddenly be in the middle of a stadium. A viewer with a VR headset would get a glimpse of every inch of the stadium by moving his head towards the direction he wants to see.

“We are talking to people in the sporting world for live streaming of matches on our VR platform,” Raja Koduri, senior vice-president of Radeon Technologies Group, who heads the graphics processor development initiative of AMD, told Business Standard. “We hope to make some announcements in this regard in the second half of this year.”
 

Radeon perfected the for live streaming during its collaboration in the making of Baahubali 2, said Koduri. 

“The tools that were used in the making of Baahubali 2 were 10 times better than what were used to make the first Baahubali. Part 2 contains two trillion pixels of graphics. There was not a single frame without VR content.”

Radeon’s parent company, which designed a VR capture camera and the world’s fastest 360-degree video stitching software, has created a new silicon chip that can do 100 billion operations per second, especially for this movie.

The new graphics processor, called Vega, would be launched globally later this year. "We have built a new graphics architecture grounds-up for Baahubali as the action part with the VR background had to be integrated and captured into each frame on a real-time basis, in just 10 milliseconds (1 second=1000 milliseconds). We required a new chip for this so that we can deal with many, many petabytes of data (1 petabyte= 1,000 terabytes or 1 million gigabytes), similar to a supercomputing environment," Koduri explained.

What this means is a real-time, seamless spherical view of a stadium in 5k digital clarity during live-streaming.


Even without a VR headset, a viewer can get a 360-degree view by using a cursor. The content has to be streamed live on a VR platform through high-speed internet. 

Turning fantasy into reality

  • Radeon Technologies is now attempting to extend the VR to the live streaming of popular sports like cricket
  • Radeon perfected the for live streaming during its collaboration in the making of Baahubali 2
  • Radeon’s parent company, AMD,  which designed a VR capture camera and the world’s fastest 360-degree video stitching software, has created a new silicon chip that can do 100 billion operations per second
  • Even without a VR headset, a viewer can get a 360-degree view by using a cursor. The content  has to be streamed live on a VR platform through high-speed internet

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Bahubali-2 may change the way sports is watched at homes

lundi 27 mars 2017

Want to cut obesity risk? Cook meals at home, skip TV, videos during meals

People who cook at home and do not watch or while eating are less likely to be obese, a new study has found.

Researchers from Ohio State University in the US studied about 12,842 survey participants who said that they ate at least one family meal in the week prior to their interview.


was defined as a body mass index (BMI) at or above 30, calculated from self-reported height and weight measures collected in the survey.

Researchers found that adults who reported never watching or during family had significantly lower odds of compared with peers who always watched something during mealtimes.

Those whose family were all home-cooked also had lower odds of than other adults who ate some or no home-cooked

"How often you are eating family may not be the most important thing. It could be that what you are doing during these matters more," said Rachel Tumin of Ohio State University.

"This highlights the importance of thinking critically about what is going on during those meals, and whether there might be opportunities to turn the off or do more of your own food preparation," Tumin said.

Researchers found the lowest odds of for those adults who engaged in both healthy practises - eating home-cooked food and doing it without a or video on - every time they ate a family meal.

was as common in adults who ate family one or two days a week as it was in those who ate family every day, researchers said.

"Regardless of family meal frequency, was less common when were eaten with the television off and when were cooked at home," said Sarah Anderson of Ohio State University.

The study was published in the Journal of the Academy of Nutrition and Dietetics.

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Want to cut obesity risk? Cook meals at home, skip TV, videos during meals

Yogi Adityanath as Uttar Pradesh CM: Rabble-rouser or do-gooder?

In the middle of a long rectangular room in the administrative block at Gorakhnath Math lies an empty chair. Its occupant now is a saffron towel draped over it. The chair’s master has gone missing for the first time in nearly 20 years, someone points out. Some who make their way into the room after vaulting over the security ropes that surround the building show their veneration to the empty chair by bowing slightly, their right hand grazing the chest.


The city of has messy traffic, derelict roads, unruly cattle that obstruct streets, and air thick with religiosity. But none of these is as ubiquitous as Yogi Adityanath, 44, the stocky, saffron-clad icon and now Uttar Pradesh’s chief minister. Ever since Adityanath was named chief minister a week ago, giant congratulatory billboards have swamped Adityanath, despite being absent, is omnipresent.

Policemen guard the Gorakhnath Temple, of which Adityanath has been head priest since 2014, round the clock. His rabble rousing has clearly fetched him enemies.

Inside the pink building that houses Adityanath’s chair, Dwarika Tiwari has taken over his leader’s responsibilities. Tiwari, a genial man in his 60s, has been here for over four decades. He spent his early days serving Mahant Avaidyanath, Adiyanath’s predecessor and political mentor, and is now a close aide of Adityanath.

From Adityanath’s durbar, a gathering that is open to all locals at any time, Tiwari calls up city officials, and signs orders. As one group leaves, another scrambles to take its place on the carpeted floor, where complaints — ranging from medical bills to dowry harassment — are heard. Several landline phones lie strewn on the ground; a replica of the Ashoka Pillar in a glass case watches over the hassled audience.

The large crowd underscores how the government has failed to provide basic services to people here. 

Dinesh Kumar Yadav wants Tiwari to speed up a police investigation. He, along with a few others, was duped of thousands of rupees by a man who had promised a new passport and visa for Dubai. Asif Tauqir is here for his daughter’s school admission. “The local school has been denying her admission for no reason. A letter from someone in Adityanath’s office can change that,” he says. 

“Yogi ji has dedicated his whole life to the people. His sole motive of joining politics was serving them,” says Tiwari. Others fondly talk about his accessible nature. “There are times when I’ve come to meet him late at night. Never have I been turned away,” says Aditya Misra, another visitor to the daily durbar


It is clear that Adityanath’s brand of politics is built around trust, more than religion. “Maharaj”, as Adityanath is affectionately called in these parts, is revered not so much for his staunch devotion to the cause of one religion but, as residents of say, for his service to the people. Almost everyone here has a story about an Adityanath intervention that helped push through a piece of work that would’ve been otherwise impossible.

Yogi Adityanath. Photo: PTI
Despite his incendiary speeches, is a picture of inclusiveness. Muslims in the city insist they adore Adityanath as much as Hindus. Many of his close associates are Muslims, women in burqas roam the temple complex freely, and several shopkeepers inside the premises are non-Hindus. Perhaps the most telling example of this embracement is a biryani shop that operates from just outside the temple’s entrance. 

At first glimpse, there is little about Maan Mohammad that can convince you of his ability to do a job that involves strenuous labour. He is slight and walks with his shoulders hunched. 

Mohammad is one of the caretakers at the temple complex’s gaushaala, where he looks after more than 400 cows. Dressed in a white embroidered shirt and black trousers, Mohammad says that despite being a Muslim, he has never faced any discrimination. “There have been times when Maharaj has himself spent time with me here. That tells you something,” he says. 


Muslims in acknowledge Adityanath’s fanatical ways only reluctantly but hasten to add that his flagrant attempt at polarisation is merely electoral rhetoric. Others describe the apparent friction between the two communities as a mythical creation of the media. 

has a Hindu majority, and he is always trying to consolidate their votes. Yes, unpleasant things about Muslims are said but he seldom means them,” says Atiq-ur-Rehman, the owner of an electrical store in Dussheri Bagh. 

Adityanath’s record, however, inspires little confidence. In 2005, he carried out a purification drive, reportedly converting more than 1,000 Christians to Hinduism. Two years later, he was arrested for disobeying police orders after an altercation between Hindu and Muslim men during a Muharram procession snowballed into a riot. 

Tiwari feels that now as chief minister, Adityanath is likely to assuage his fiery instincts with a warm dose of togetherness. “In his speech in Parliament after he became chief minister, he spoke about taking everyone along,” he says, clinging on to hope. 

Others say his words are often grossly misconstrued, and that his Muslim-bashing is selective. “He has a problem with the kind of people who opposed the hanging of Afzal Guru, or those who celebrate a Pakistan win in cricket against India. What is wrong with that,” asks Ram Janm Singh, an Adityanath loyalist who is the principal of Maharana Pratap Inter College, one of the over 40 institutions run by the Gorakhnath mandir trust.

Mustachioed and silver-haired, Singh has been associated with the temple for nearly 50 years. Since 2004, he has been doubling up as one of the few people who handle Adityanath’s election campaigns.

A local Muslim cleric, however, says that Adityanath’s schismatic approach may rear its ugly head on a dangerous scale one day. “Muslims will not say this openly but deep down, there is insecurity. He is not disliked because he keeps granting small favours to everyone, pushing his own greater agenda at the same time,” he says. “If you don’t have a problem with any religion, then why say anything nasty about it at all?”


Adityanath’s victory margins, much like his cult, have grown astronomically over the years. In 1998, the first election he contested, he won comfortably by over 26,000 votes. By 2009, that number had swelled to 220,000. The last general election was perhaps his only blip in recent times: the margin of victory stood at just over 140,000 votes. His win in 2014 was his fifth straight from the Lok Sabha seat.

Dwarika Tiwari, one of Adiyanath's close aides, at the daily durbar in Gorakhpur

Dwarika Tiwari, one of Adiyanath’s close aides, at the daily durbar in Gorakhpur

Adityanath’s political acumen is routinely applauded in When he rose to prominence in the early ’90s, skillfully dislodging the local mafia, Adityanath, despite being a Rajput, made it a point to build relations with the Dalits and Other Backward Castes, thereby forming a potent winning combination in the years to come.

“If elections were to be considered as exams, then Adityanath has mastered the art of preparation. He just knows which books and what pages to read,” says a Supreme Court lawyer who hails from nearby Khalilabad. 


Adityanath’s impassioned oratory, workaholic nature, hands-on approach and clean image have even spawned comparisons with Narendra Modi: he is talked about in the same breath as the prime minister in Moreover, the absence of relatives who can leverage his position for undue benefits appeals immensely to people.

Sevaks at the temple say Adityanath sleeps only four hours a day, devoting all his time to meeting people. “The other day, I got a call from him at 10 at night. Someone had left the college gate open and he was passing by. That’s how involved he is,” says Singh. 


But any similarity with Modi can be quelled by the fact that little has changed in ever since the people of the city elected Adityanath to represent them in Parliament in 1998. His 50-acre temple complex is flourishing: the roads are slick, water fountains are aplenty, quality food is served in clean restaurants, and a general feeling of serenity prevails.

Outside, the picture is dismal. Sewage drains languish in the open, garbage disposal seems like an alien concept, and the battered state of infrastructure shows no signs of improvement. The local MLA, Radha Mohan Das Agarwal, handpicked by Adityanath, won the Urban seat by almost 60,000 votes in the recent Assembly elections. The is also in power in the local municipal body. None of that has helped.

‘He has a problem with those who opposed Afzal Guru's hanging, or celebrate a Pakistan win against India in cricket’
Ram Janm Singh, Adityanath loyalist on the CM’s Muslim-bashing

“Development here has been restricted to just the temple. Apart from that, there has been no progress in the last 20 years,” says Rehman. 

Most people rue the lack of employment, blaming Adityanath for neglecting industry. Once upon a time, in the Muslim neighbourhoods of Zahidabad and Rasoolpur, a power loom could be found in almost every house. Now, with the textile business shrinking, most youngsters express a desire to migrate to West Asia in search of work.


The once-thriving sugar mills around are in decline.

The plan to revive the sick fertilizer plant on the outskirts of the city — an initiative engineered by Adityanath — is moving at a tardy pace. Modi laid the foundation stone at the plant in July last year, but workers here say demolition work began only two months ago and is expected to take at least a year to complete. Construction will start after that. The project, a joint venture between NTPC, Coal India and Indian Oil Corporation, is likely to generate 4,000 jobs. 


Maan Mohammad is one of the caretakers at the temple complex's gaushaala that houses 400 cows

Maan Mohammad is one of the caretakers at the temple complex’s gaushaala that houses 400 cows

Despite the open backwardness, there is reason why Adityanath is held in high acclaim in Gorakhpur: he is credited for turning around the city’s healthcare with two hospitals that operate from within the temple complex. 

Perpetually teeming with patients, the super-specialty hospital at the far end of the complex is one of the best in the region. A tiny door at the entrance opens into a spacious general ward, with nurses and doctors attending to hundreds of patients. Opened in 2003, the hospital offers OPD visits for as little as Rs 30. Medicines are available at discounts of 5-50 per cent.

“Before he left for Lucknow, Maharaj used to meet each patient once every week,” says Kameshwar Singh, additional director at the hospital.

Japanese encephalitis has crippled Gorakhpur’s flood-prone plains for decades — a major outbreak in 2005 saw over 1,000 perish — but is now on the wane. Adityanath’s acolytes claim this is because of the hospital. As many as 438 cases of dengue were registered at the super-specialty hospital this past year, and Kameshwar Singh claims there were no deaths. 

‘Development here has been restricted to just the temple. Apart from that, nothing has happened’
ATIQ-UR-REHMAN, an electrical shop owner in Gorakhpur

A branch of the All India Institute of Medical Sciences is also coming up along the highway that leads to Bihar.


To people cut off from rambunctious Gorakhpur, Adityanath is a maniacal proponent of who wants to rid the world of all things anti-Hindu; for most locals, he is a do-gooder who raises religious passions once in a while only for political gains.

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Yogi Adityanath as Uttar Pradesh CM: Rabble-rouser or do-gooder?

dimanche 26 mars 2017

Why inequality is a threat to governance

THE CRISIS OF THE MIDDLE-CLASS CONSTITUTION

Why Economic Inequality Threatens Our Republic

Ganesh Sitaraman 

Alfred A Knopf; 423 pages; $28


President Obama labelled income inequality “the defining challenge of our time.” But why exactly? Why am I hurt if develops Facebook, and gets rich on the proceeds? Some care about the unfairness of income inequality itself, some care about the loss of upward mobility and declining opportunities for our kids and some care about how people get rich — hard work and innovation are okay, but theft, legal or otherwise, is not.

Yet there is one threat of inequality that is widely feared, and that has been debated for thousands of years, which is that inequality can undermine governance. In his fine book, both history and call to arms, argues that the contemporary explosion of inequality will destroy the American Constitution, which is and was premised on the existence of a large and thriving middle class. He has done us all a great service, taking an issue of overwhelming public importance, delving into its history, helping understand how our forebears handled it and building a platform to think about it today.

As recognised since ancient times, the coexistence of very rich and very poor leads to two possibilities, neither a happy one. The rich can rule alone, disenfranchising or even enslaving the poor, or the poor can rise up and confiscate the wealth of the rich.

Some constitutions were written to contain inequalities. In Rome, the patricians ruled, but could be overruled by plebeian tribunes whose role was to protect the poor. There are constitutions with lords and commoners in separate chambers, each with well-defined powers. Sitaraman calls these “class warfare constitutions,” and argues that the founding fathers of the United States found another way, a republic of equals. The middle classes, who according to David Hume were obsessed neither with pleasure-seeking, as were the rich, nor with meeting basic necessities, as were the poor, and were thus amenable to reason, could be a firm basis for a republic run in the public interest. There is some sketchy evidence that income and wealth inequality was indeed low in the 18th century, but the crucial point is that early America was an agrarian society of cultivators with an open frontier. No one needed to be poor when land was available in the West.

Of course, the fears about industrialisation were realised, and by the late 19th century, in the Gilded Age, income inequality had reached levels comparable to those we see today. In perhaps the most original part of his book, Sitaraman, an associate professor of law at Vanderbilt Law School, highlights the achievements of the Progressive movement, one of whose aims was taming inequality, and which successfully modified the Constitution. There were four constitutional amendments in seven years — the direct election of senators, the franchise for women, the prohibition of alcohol and the income tax. To which I would add another reform, the establishment of the Federal Reserve, which provided a mechanism for handling financial crises without the need for the government to be bailed out by rich bankers, as well as the reduction in the tariff, which favoured ordinary people by bringing down the cost of manufactures. Politics can respond to inequality, and the Constitution is not set in stone.

What of today, when inequality is back in full force? I am not persuaded that we can be saved by the return of a rational and public-spirited middle class, even if I knew exactly how to identify middle-class people, or to measure how well they are doing. Nor is it clear, postelection, whether the threat is an incipient oligarchy or an incipient populist autocracy; our new president tweets from one to the other. And European countries, without America’s middle-class Constitution, face some of the same threats, though more from autocracy than from plutocracy, which their constitutions may have helped them resist.

Sitaraman reviews many possible correctives, including redistribution to reduce inequality; better enforcement of antitrust laws; campaign finance reform to break the dependence of legislators on deep pockets; compulsory voting; and restrictions on lobbying, including the possibility of “public defender” lobbyists to act on behalf of the people. I would add the creation of a single-payer health system, not because I am in favour of socialised medicine but because the artificially inflated costs of health care are powering up inequality by producing large fortunes for a few while holding down wages; the pharmaceutical industry alone had 1,400 lobbyists in Washington in 2014. American health care does a poor job of delivering health, but is exquisitely designed as an inequality machine, commanding an ever-larger share of GDP and funneling resources to the top of the income distribution.

Perhaps the least familiar and most intriguing policy proposal that Sitaraman discusses is the idea of reviving the Roman tribunate: 51 citizens would be selected by lot from the bottom 90 per cent of the income distribution. They would be able to veto one statute, one executive order and one Supreme Court decision each year; they would be able to call a referendum, and impeach federal officials.

Such a proposal seems fanciful today, but so is campaign finance reform, or greater redistribution. Yet we do well to remember Milton Friedman’s dictum that it takes a crisis to bring real change, so that our job in the meantime is to develop alternatives to existing policies that are ready for when “the politically impossible becomes politically inevitable.” There will surely be no lack of crises in the days to come.
 

©2017 The New York Times News Service


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Sunil Grover announces new gig with Kiku Sharda amid Kapil Sharma row

Comedian has announced his new gig with following his fall out with

Grover took to to share the poster of his upcoming gig scheduled to happen in on April 1.

" see you on the 1st April. Yo!," he shared the poster of the show, which features him dressed as his popular character of Dr from "The Show".

Following an in-flight tussle between him and Kapil, Grover posted a note on in which he asked the latter to "start respecting human beings also apart from animals."

Grover, who plays the popular characters of Dr Gulati and Rinku Bhabhi on Kapil's show, further wrote, "Thanks for making me realise it was your show and you have power to throw out anybody, anytime. You are the wittiest, and the best in your field. But don't act like a 'God'. Take good care of yourself. Wish you lot more success and fame."

Kapil had dismissed their feud as "an argument" in a post but Grover has indicated that all is not well between them.

He also took to Twitter to apologise to Grover, saying, "Sorry if I hurt you unintentionally. You know very well how much I love you. I am also upset. Love and regards."

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Forget watching 'The Danish Girl' on TV. CBFC won't let you

The television premiere of internationally acclaimed film The Danish Girl has been put on hold on Le Plex as the channel was unable to get necessary certification.

The Tom Hooper-directed film, starring Eddie Redmayne and Alicia Vikander, is based on the life of Elbe, one of the first known recipients of sex reassignment surgery. It was scheduled to be telecast tonight.


"We regret to inform you that Le Plex HD is unable to telecast the much-awaited television premiere of the international acclaimed award-winning film The Danish Girl on March 26 as the necessary certification to enable telecast of the movie has not been received," the channel posted on its official Twitter account.

"We continue making all necessary efforts to secure the certification and will keep you informed of the future date of the telecast. We thank you for your continuous support and understanding. Any inconvenience caused is sincerely regretted," it added.

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samedi 25 mars 2017

Phillauri: An ethereal romance that plays out in flashbacks

A love story set in early 1900s Punjab is contained within Phillauri in the form of sepia-toned flashbacks but really it deserves a film of its own. Here, it is couched between a psychedelic opening sequence, a modern coming-of-age tale, and a ghost comedy. The result feels a bit like seeing a grown-up in a bouncy castle — discordant but still kind of fun.


Directed by debutant and written by Anvita Dutt, Phillauri has been marketed as a film about a friendly ghost, Shashi (Anushka Sharma). She can be seen only by Kanan (Suraj Sharma), who happened to marry a tree she had been trapped in, as part of a Hindu ritual to correct potentially evil consequences in his stars. His odd behaviour thereon begins to worry his to-be wife Anu (Mehreen Pirzada) and their families. Shashi, meanwhile, attempts to make sense of why she has been released into the world.

Suraj Sharma is great as the incredulous but compliant young bridegroom. His character, a slacker who is recently back from studying in Canada, struggles with cold feet ahead of marriage. Despite the performance, Kanan’s is the weaker section of the film. His identity crisis suffers from being thinly-written. It is here that the film at times resembles Shaandaar (2015), another project in which writer Dutt was involved, although the humour is far superior here. 


The romance of Shashi, a budding poet, with (Diljit Dosanjh), a rustic singing sensation, is arresting. With more screen time, this might have been a better musical drama than messy predecessors like Imtiaz Ali’s Rockstar (2011). For one, the woman, even if inhibited by restrictions at home, does more in this film than merely provide encouragement to the man.

Phillauri
After a sincere Hindi film debut last year as a cop in Udta Punjab, produces another likeable turn, this time as a badass musician who cleans up for the sake of love 
Anushka is earnest in both aspects of her role — as the ghost navigating a modern world who innocently refers to a vinyl as “tawa” (pan), and as a poet smitten by the idea of having her words put to music. After a sincere Hindi film debut last year as a cop in Udta Punjab, Dosanjh produces another likeable turn, this time as a badass musician who cleans up for the sake of love. Given his own experience as a singer, he looks at home mouthing the songs including Sahiba, the flagship of the film’s soundtrack.

Unsurprisingly, Phillauri requires many leaps of the imagination from viewers. The frequent interweaving of past and present, however, is inventive and engaging. The film’s various threads come together neatly closer to the end. But the final act, covered in Disney amounts of glitter, would have benefited from tautness. In its attempt to do many things, the film is unable to go deep enough into any of the stories.

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vendredi 24 mars 2017

Oppo F3 Plus: Selfie brigade

Selfies won’t be going out of fashion anytime soon. And smartphone makers are cashing in. Oppo's newest instalment — the F3 Plus — further glorifies the selfie tradition. 

The phone has a 6-inch display with 1920x1080 resolution. Yes, the colours are sharp and vivid, and watching videos is a delight. But that's not the first thing that struck me. The F3 Plus looks eerily similar to an iPhone 6s Plus; similar unibody design, an OS that can easily be mistaken for the iOS. The difference is that it has more of a rounded-rectangular home button than a circular one like that of the iPhone. But I have been told that most Oppo phones resemble an iPhone, so I stopped worrying about the design and decided to see what the phone has in store. 

It comes with a Qualcomm Snapdragon 652 processor with 4GB RAM. The performance is not extraordinary, but it works without any hiccups. The phone is easily able to handle RAM-heavy apps and games, but I did notice it heating up a bit. It comes with a 4,000 mAh battery, which lasts for almost an entire day. 

It runs Android 6.0 Marshmallow with Oppo's Color OS on top. The OS looks exactly like the iOS with some minor tweaks here and there. The phone has a dual secondary camera — 16 megapixel (MP) and 8MP — and a 16 MP primary one. The primary camera clicks average pictures and I noticed noise even in good lighting. Low-light photography was expectedly disappointing. Now, the “selfie expert” secondary camera is able to capture good pictures. Because of the dual camera, clicking groupfies is also easier, especially since one of the lenses is a 120-degree, wide-angle one. 

Priced at Rs 30,990, the F3 Plus offers you nothing special except the dual front camera. This phone will attract only the serial selfie takers. If you’re looking for an all-rounder, OnePlus 3T is a much better choice.  


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Oppo F3 Plus: Selfie brigade

Samsung Galaxy C9 Pro: Return of the phablet

I  had sleepless nights pondering the matter and my friends’ conflicting views confused me further. Was there no answer in sight? I was hopelessly perplexed. My tale began with this basic premise: if you’re looking for a phone in the Indian market, there are two options. One, buy a flagship product from storied brands; and two, pick the device that could blow the socks off a flagship, from one of the newer companies (and it helped that the challenger’s phone would cost a lot lesser than the flagship). 


 But what was I to make of the (Rs 38,900)? At first glance, it seemed like a sleeker successor to Samsung’s Mega phablet range. Yet, it was packed with 6GB of RAM, six-inch screen and 16-megapixel (MP) front and back cameras — features we’ve come to expect from the upstarts in the mobile market. Yet, the C9 Pro most certainly isn’t an inexpensive phone.

 The matte black review unit looked sleek and I daresay like phones from a certain Taiwanese manufacturer. Gone were Samsung’s signature shiny metal highlights. Sadly, the phone runs Android 

Marshmallow out of the box; Samsung’s familiar TouchWiz UI is surprisingly fast (like I found on the Galaxy S7 edge), though it still has bloatware. A secure folder lets one not only keep private stuff private, but also a separate WhatsApp account. But with a Snapdragon 653 octa-core processor, I had to game. Asphalt: Airborne 8, Riptide GP Renegade and Pokémon Go were my allies as I achieved glory virtually everywhere. The brilliant Super Amoled screen (with the “always on” function carried over from the S7) was a pleasure to use, even under direct sunlight. The phone did heat up a bit, especially when I multi-tasked. But there were no lags and the touch experience was top-class. 

A walk in the neighbourhood park in daylight yielded some fabulous pictures. The front camera was good at capturing groups and could be activated by voice. In a dark room, I focused a light on an object and clicked a picture; the results were encouraging. But I was disappointed with pictures clicked in low light; there was just too much noise. Also, the phone doesn’t shoot 4K videos.  

Then I got my answer. The is a curious mix of features and price and could well herald the return of Samsung in the phablet segment it pioneered in India. And since it’s a phablet, the C9 Pro does very well for consuming media and playing games, besides being a capable phone. But if you want a fabulous camera, pay a few thousands extra and get the Galaxy S7 instead.

Samsung Galaxy C9 Pro

Weight: 190 g

Display: 6-inch Super Amoled

Processor:  Snapdragon 653

RAM: 6GB

Storage: 64GB, expandable 

Camera (rear/front): 16MP/16MP

Price: Rs 38,900


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Tata Tigor: Style mile

The Tigor is the latest style statement from Tata Motors. It is quite similar to the Tiago, right up to the C-pillar that slopes into a well-formed boot, giving the Tigor a stylish notchback look. 

No wonder, the car is called the StyleBack Tigor by the company. The moment I gazed at the car, I realised that the fascia bore a striking resemblance to the Tiago. The Tigor has a dual-coloured bumper with the Tata Signature Grille, which is accentuated with a chrome humanity line at the front, with the looks further enhanced by the crystal-like, smoked projector headlamps.Unfortunately, there are no DRLs (daytime running lights), which are in vogue these days. 


Tata Tigor
The side profile of the car is enhanced with 15-inch alloys for the petrol variant, while the diesel variant has to make do with only 14-inch alloys. Tata Motors engineers and stylists have worked pretty hard to get the right design flow beyond the C-pillar. The rear features split tail lamps with a chrome strip between them and a long LED stop lamp fitted high above the descending roof line at the rear.

Tata Tigor
Tata Motors has given a darker shade to the dual tone dashboard, with the centre console area sporting a piano black finish. The smart seats offer good under-thigh and back support. The rear seat now comes with an arm rest in the middle. 

As for storage spaces for cups, bottles and mobiles, there are 24 utility spaces within the cabin. There is also a huge boot space of around 419 litres. The traditional push-down/pull-up lock mechanism that is there on the inner door frame act as the door lock. 

The Tigor now has two 12V power outlets, one in the front console area and the other one on the floor console area, the latter addressing the charging needs for those in the rear seat.  Automatic climate control comes as a new feature. The car comes with eight Harman speakers.  What’s new here is that the infotainment system comes with a five-inch touchscreen enabled with video playback, voice command recognition, SMS readout and display for the rear parking assist camera. Steering mounted controls can adjust volume and activate voice control. While the system is equipped with a comprehensive app suite, it is sadly compatible only with Android smartphones.


Tata Tigor
The car does not seem underpowered at all, despite the fact the Tigor is now 50 kg heavier in its notchback avatar. Both engines are available with multi-drive modes — Eco and City. The steering wheel is tilt adjustable, but is not telescopic.  The electric power assisted steering is designed for a light steering feel and for easy manoeuvring. Despite its added length, the car is planted to the road at high speeds and, with its dual path suspension in front and rear, allows for a good drive and handling. NVH levels in both petrol and diesel are well under control. 

When it comes to safety, the Tigor has dual front airbags, an energy absorbing body structure, anti-lock braking system with electronic brakeforce distribution and corner stability control for improved braking efficiency.

Tata Tigor

Engine: Revotorq 1,047cc, 3-cylinder (diesel); Revotron 1,199 cc, 3-cylinder (petrol)

Transmission: Manual 5-speed

Power: 69hp@4,000 rpm (diesel); 84hp@6,000 rpm (petrol)

Torque: 140Nm@1,800-3,000 rpm (diesel); 140Nm@1,800-3,000 rpm (petrol)

Price: To be announced
 

Reports: Motown India; www.motownindia.com


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Tata Tigor: Style mile

Maruti Suzuki Baleno RS: Speedy update

In all honesty I entered the Buddh International Circuit with the thought that this was just another day at work, with me behind the wheel of yet another car with a fancy name. But what was to come next would simply baffle me. Yes, I knew there were a few changes in the output figures — number of cylinders, kerb weight, chassis and suspension. But how well would all of these changes fit in with Maruti Suzuki's latest baby, the Baleno RS? Settling behind the wheel, I gently nudged the accelerator, and the almost instant throttle response gave me a little glee. As I began pushing the RS a little harder, I was thrilled at how effortlessly this hatchback responded to my demands. Its little 1.0 litre, turbocharged, petrol engine is not humble in the least. Like an over-eager kid in a candy store, I began redlining the Baleno RS on every gear. 


Mated to a five-speed transmission, the Boosterjet engine turns 150Nm of torque from 1,700-4,500 rpm and a neat 100.5bhp at 5,500 rpm. The revs build up in a linear fashion right up to the 6,000 rpm mark. Pushing this hot hatch hard on the back straight of the Buddh International Circuit, I was able to achieve a top speed of 172 kmph and ran out of track before I could up-shift to fifth gear.

Maruti has also included disc brakes on all four wheels — the brakes are progressive, immensely capable and can easily bring this hatch to a halt in seconds. The suspension leans marginally on the stiffer side and feels sporty. Maruti has not dropped the ride height of the Baleno RS. Even the chassis felt a little rigid, thus giving the driver more control, especially while taking corners and speeding out of them. What delighted me most about the Baleno RS was its tail-happy nature. It will bring out its rear on sharp corners, but even the gentlest of taps on the accelerator pedal will bring it back in line. 

Launched in the single Alpha variant, the Baleno RS complies with pedestrian safety norms, side and frontal offset impact norms, well before the deadline. Maruti has also included dual airbags, seatbelts with pretensioners and force limiters, ABS & EBD and an extensive use of high strength steel in construction.

Engine: 998 cc, 3-cylinder, Turbocharged, petrol

Transmission: 5-speed, manual

Torque:  150 Nm@1,700-4,500 rpm

Fuel tank capacity: 37 litres

Power: 100.5 bhp@5,500 rpm
 

Price: Rs 8.69 lakh (ex-showroom, Delhi)


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Maruti Suzuki Baleno RS: Speedy update

CHESS#1244

The last instalment of this column featured an "anti- position" composed by Sir Roger Penrose. That illustrates a hole in engine-evaluation. Black is massively ahead in material. But the position is totally locked and white can just shuffle around for a draw. 

Every engine will give an absurd evaluation, assessing black as winning.  But if a is tasked to defend the white side, it will flawlessly find the right moves and draw, even while it pessimistically assesses its position to be lost!  

In practical play, engines often fail to evaluate fortress positions (say, when a lone queen is trying to win against a Rook anchored by a pawn, which is well-defended by the king). But they do find the best movies for both sides. 

A third situation where computers can be uncertain is positional sacrifices. Typically, a player may sacrifice a little material (a pawn, or the exchange for a pawn) for some compensation without forcing sequences. Computers can make the wrong assessments. However, there has been a great deal of improvement, and sometimes modern engines even make positional sacrifices.  

Where engines do really  "fail" is in playing and assessing slow build-ups behind locked pawn chains  in closed positions. For example, even strong engines misread Kings Indian Defence situations where players attack slowly on opposite flanks. Engines will rate these positions as roughly equal until suddenly, one side wins. An analogy could be the Brazilian "beautiful game" where greats like Garrincha and Pele bamboozled defences by suddenly slowing down pace of attack.   

Chessbase India celebrated its one-year anniversary, more or less by holding an online blitz event with 3 minutes plus zero increment control. This is just about fast enough to prevent egregious cheating. That drew 148 players, including six GMs and 12 IMs. Rohit Lalith Babu won first place and Rs 10,000, with a perfect 9/9 score. 

Harika Dronavalli (Elo 2539) plays the Sigeman Invitational in Malmo, Sweden. She's the lowest rated in a six-player round-robin, featuring  Pavel Eljanov, Baadur Jobava, Nigel Short, Nils Grandelius and Erik Blomqvist. Meanwhile, Pentala Harikrishna, Anish Giri, Michael Adams, Ding Liren, Yu Yangyi and Peter Svidler settle into battle at the DT News Cup in Shenzhen. And the huge Sharjah Masters Open is also on, with a large  Indian contingent. 

The DIAGRAM, BLACK TO PLAY,  is one of the most famous of positions (Martin Ortueta Vs Jose Sanz , Madrid  1993). The game  supposedly went 1.-- Rxb2!! 2. Nxb2 c3  and now [ if 3. Nd3 c4 +]  


But after 3. Rxb6 c4!! 4. Rb4 a5! (0-1). A fabulous  queening combination and even modern engines take quite a few seconds to find the winning idea. Sadly, it might never have actually been played if research by historians is correct. 

Devangshu Datta is an  internationally rated and correspondence player

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CHESS#1244

In pursuit of sleep

In the Indian context, and deprivation are few and far between. When market research agency Nielsen conducted one in 2010, it found that 93 per cent of urban Indians in the age group of 35 to 65 were deprived. While a majority of participants in the study felt their work suffered from a lack of sleep, some even said they fell asleep at work. Seven years later, the scenario has not changed for the better. 

Getting a good night’s sleep, it seems, isn’t as easy as it is made out to be. Take a quick look around and you’ll see the professional who’s struggling between work and home, or the student who’s cramming up for entrance exams or just Netflixing one TV show after another. Or the neighbour who can’t because of stress and anxiety, or the parent struggling with joint pains or breathing troubles — there really is no dearth to the number of reasons that crop up when it comes to something as simple as sleeping.

is very important for and well-being, both physical and emotional; is essential for survival itself,” says Bindu M Kutty, head of the neurophysiology department, National Institute of Mental and Neurosciences (NIMHANS). 

Rupal Shabnam Tyagi

Remember that essential oils are extremely potent and can irritate the skin if not diluted with oil Rupal Shabnam Tyagi, Aromatherapist

“We live in a 24x7 society that is largely sleep-deprived. Most only for five to six hours and that results in a deprivation of one to two hours every day,” says Bengaluru-based Kutty. Ideally, for the body to restore and rejuvenate, we need at least seven to eight hours of daily.

Stress, aches and pains and arthritis are just some of the reasons for sleeplessness and insomnia today. “Using the right essential oils can help to a great extent in addressing some of these conditions, thus resulting in better sleep,” says Rupal Shabnam Tyagi, a Delhi-based aromatherapist. Previously a software professional, Tyagi has been practicing aromatherapy for over a decade.

In cases of hormonal imbalance and cluttering of mind, sandalwood oil does a lot of good, for instance, says Tyagi. Likewise, lavender and marjoram oil aid in combating sleeplessness, or even when the nervous system hasn’t had enough rest. “When fatigue is the cause of your sleeplessness, clary sage works very well,” says Tyagi.

References to aromatherapy, a method that uses essential oils extracted from plants, herbs, trees, flowers healing, can be found in records of older civilisations from India, Egypt, China and Greece. 

In 1910, a French chemist named René-Maurice Gattefossé badly burned his hand during an experiment and plunged it into the nearest tub of liquid: a vat of lavender oil. Gattefossé, who is considered the father of modern aromatherapy, documented how quickly his hand healed without scarring, and went to experiment with essential oils. 

In 2012, when Delhi-based Nikki Kapoor’s chocolate-coloured dog, Duchess, lost use of her hind legs owing to arthritis and hip dysplasia, the veterinarian suggested putting her down. That’s when Kapoor stumbled onto aromatherapy while searching for an alternative medicine for Duchess. Five days after massage and aromatherapy sessions, the dog started walking again.

A two-time cancer survivor living with three auto-immune diseases, Kapoor’s faith in aromatherapy has only blossomed since. “Allopathic medicines are a great help, but the long-term side-effects of these aren’t to be taken lightly. Starting from the paint on our walls to our hair dyes and the water that we drink, there’s so much that goes into our bodies that we are not even aware of. I look at aromatherapy as a holistic way to balance that out,” says Kapoor.

While Tyagi’s line of aromatherapy blends are available under the brand name of Wikka, Kapoor’s line is called Navarasas: both are available online. To aid with sleep, one of Kapoor’s blends, called Sleepy Time Mist, is a bed and linen spray that has distilled water, clary sage, lavender and frankincense.

“We are often so wired and stressed that the brain doesn’t get the time to quieten itself. This combination sends signals to the brain asking it to relax,” explains Kapoor.

Aromatherapy works best when you consult an expert and figure out what fragrances are accepted by your mind. “These fragrances help indicate the imbalances in one’s body,” says Tyagi. The first step is to identify the reason behind the condition’s symptoms, and then identify which oils are likely to work best.

Essential oils are extremely volatile and quick-acting: they enter the bloodstream within seconds of application and course through the body within minutes. These can be taken via inhalation or massage and they act as free-radical scavengers, thus providing anti-aging benefits.

Every essential oil has an affinity towards a different part of the body. Eucalyptus is known to help the respiratory system, and peppermint has positive effects on the digestive system. But a do-it-yourself route shouldn’t be adopted for specific medical conditions. “Remember that essential oils are extremely potent and can irritate the skin if not diluted with oil,” says Tyagi.

Distilling five to eight tonnes of raw plant material produces just about one litre of the oil, so there are contraindications to bear in mind. Spice oils, like those made with clove and cinnamon, are best avoided by those who suffer from high blood pressure. Rosemary, too, helps in increasing blood circulation, so that should also be skipped. Similarly, floral oils should be avoided during pregnancy since these are uterus-stimulating oils.

Also, there’s a vast world of difference between essential oils and fragrances. “Fragrances, perfumes and mists are easily available and are more affordable than essential oils, but these don’t offer the healing benefits that the oils do,” says Kapoor.

If allergies keep you from being rested, try chamomile. If it’s stress, opt for lemongrass and bergamot and to de-clutter the mind, go for sandalwood. There’s a therapeutic oil for all of us; one just needs to find the fragrance that can heal their body.

Practise body mindfulness


For the past 17 years, Bindu M Kutty and her team at NIMHANS have been studying the effects of vipassana, a meditation technique, on the human body. A significant portion of this research has been on the benefits of vipassana on

This research is significant because a deficit of eventually leads to a plethora of disorders including cardiovascular diseases, autoimmune diseases and diabetes. Working in an institute that researches mental health, Kutty has observed that a majority of neuropsychiatric cases are closely associated with disorders and abnormalities.

"Not getting enough totally derails the regular functions of a human body. It affects your attention, alertness, cognitive abilities and mood. Animal studies have also proved that deprivation can be fatal," she adds.

sleep, sleep deprivation
While meditation practices often involve chanting of mantras or picturing an image, vipassana practitioners focus on the body as their primary meditation object. Simply put, the idea is to 'scan' the body from head to toe and pursue observation of self. Inspired by early Buddhist teachings, the vipassana technique practised in India is largely framed by guidelines set by Satya Narayan Goenka, a meditation teacher of Burmese-Indian origin.

After studying effects of vipassana across a cross-section of over 100 participants, Kutty and her team have found that practising this form of meditation regularly leads to better quality of sleep, enhanced brain plasticity and better cognitive abilities. 


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In pursuit of sleep